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SUPERB EXAMPLES BY 


J.A.McN.WHISTLER ||pe4,o 


AND OTHER MASTERS 
FROM THE COLLECTION OF 


HERBERT L. ROTHCHILD 


OF SAN FRANCISCO 
RARE FRENCH AND ENGLISH 


COLOUR PRINTS 


IN MEZZOTINT, AQUATINT AND STIPPLE 
*FROM THE COLLECTIONS OF THE LATE 
JULIAN LE ROY WHITE, oF BALtTImMorE 
at D OF THE LATE ° 


JAMES A. GARLAND, oF Boston 


TO BE SOLD ON THE EVENINGS OF TUESDAY, WEDNES- 
DAY AND THURSDAY, MARCH 25TH, 26TH AND 
27TH, 1924 


AMERICAN ART ASSOCIATION, Inc. 


MADISON AVENUE, 50TH TO 57TH STREET 


ENTRANCE 30 EAST 57TH STREET, NEW YORK 


JAMES ABBOTT McNEILL WHISTLER 
NocrurnE PALaces 
[No. 447] a 


ETCHINGS AND ENGRAVINGS 


SUPERB EXAMPLES BY 


J. A. McN. WHISTLER Us 


AND OTHER MASTERS 


INCLUDING MUIRHEAD BONE, BUHOT, LEPERE, SEYMOUR HADEN,! 


ae, 


DURER, PENNELL, ZORN, McBEY, REMBRANDT, 
CAMERON, MERYON, &c. 


FROM THE COLLECTION OF 


Popa RE LL. ROTHCHILD 


OF SAN FRANCISCO 


Peewee FRENCH AND ENGLISH 


COLOUR PRINTS 


IN MEZZOTINT, AQUATINT AND STIPPLE 


FROM THE COLLECTIONS OF THE LATE 


JULIAN LE ROY WHITE, of Baltimore 
Sold by Order of His Estate 
AND OF THE LATE 
JAMES A. GARLAND, of Boston 


Sold by Direction of the Trustees, 
Messrs. James A. Parker, ArtHuR D, Hitt ann James A. GARLAND 


WITH OTHER PROPERTIES 
MADISON AVENUE, 50TH TO 57TH STREET 


ENTRANCE 30 EAST 57TH STREET, NEW YORK 
Telephone: PLAZA 1270 


{ttt <y 


AMERICAN ART ASSOCIATION, Inc. LAU 


: wv \ 
, 


On Free Public Exhibition— 


Commencing Thursday, March 2oth, and 
Continuing until date of the sale 


Unrestricted Public Sale— 


Tuesday, Wednesday and Thursday evenings, 
March 25th, 26th and 27th, 1924 yap 


o’clock 


Exhibition and Sale at the— 
AMERICAN ART GALLERIES 


MADISON AVENUE, 56TH TO 57TH STREET 
ENTRANCE 30 EAST 57TH STREET, NEW YORK 


Telephone: PLAZA 1270 


af 7” 7 ~ «& 


<—_ 


Conditions of Sale 


1. Rejection of Bids. Any bid which is not commensurate with the value of the article offered 
or which is merely a nominal or fractional advance may be rejected by the auctioneer if in his judg- 
ment such bid would be likely to affect the sale injuriously. 

2. The Buyer. The highest bidder shall be the buyer, and if any dispute arises between two or 
more bidders, the auctioneer shall either decide the same or put up for re-sale the lot so in dispute. 

3. Identification and Deposit by Buyer. Thename of the buyer of each lot shall be given 
immediately on the sale thereof, and when so required, each buyer shall sign a card giving the lot 
number, amount for which sold, and his or her name and address. 

A deposit at the actual time of the sale shall be made of all or such part of the purchase prices as 
may be required. 

If the two foregoing conditions are not complied with, the lot or lots so purchased may at the option 
of the auctioneer be put up again and re-sold. 

4. Risk after Purchase. Title passes upon the fall of the auctioneer’s hammer, and thereafter 
neither the consignor nor the Association is responsible for the loss or any damage to any article occa- 
sioned by theft, fire, breakage or any other cause. 

5. Delivery of Purchases. Delivery of any purchases will be made only upon payment of the 
total amount due for all purchases at the sale. 

6. Receipted Bills. Goods will be delivered only upon presentation of a receipted bill. A re- 
ceipted bill presented by any person will be recognized and honored as an order by the buyer, directing 
the delivery to the bearer of the goods described thereon. If a receipted bill is lost before delivery of 
the property has been made, the buyer should immediately notify the Association of such loss. 

7. Storage in Default of Prompt Payment and Calling for Goods. Articles not paid 
for in full and not called for by the purchaser or agent by noon of the day following that of the sale 
may be turned over by the Association to some carter to be carried to and stored in some warehouse 
until the time of the delivery therefrom to the purchaser, and the cost of such cartage and storage and 
any other charges will be charged against the purchaser and the risk of loss or damage occasioned by 
such removal or storage will be upon the purchaser. 

In any instance where the purchase bill has not been paid in full by noon of the day following that 
of the sale, the Association reserves the right, any other stipulation in these conditions of sale not- 
withstanding, in respect to any or all of lots so purchased to cancel the sale thereof or to re-sell the 
same at public or private sale without further notice for the account of the buyer and to hold the buyer 
responsible for any losses and costs sustained in so doing. 

8. Shipping. Shipping, boxing or wrapping of purchases is a business in which the Association 
is in no wise engaged, but the Association will, however, afford to purchasers every facility for em- 
ploying at current and reasonable rates carriers and packers; doing so, however, without any assump- 
tion of responsibility on its part for the acts and charges of the parties engaged for such service. 

9. Guaranty. The Association exercises great care to catalogue every lot correctly and endeavors 
therein and also at the actual time of sale to point out any error, defect or imperfection, but guaranty 
is not made either by the owner or the Association of the correctness of the description, genuineness, 
authenticity or condition of any lot and no sale will be set aside on account of any incorrectness, error 
of cataloguing or imperfection not noted or pointed out. Every lot is sold ‘‘as is” and without recourse. 

Every lot is on public exhibition one or more days prior to its.sale, and the Association will give 
consideration to the opinion of any trustworthy expert to the effect that any lot has been incorrectly 
catalogued and in its judgment may thereafter sell the lot as catalogued or make mention of the opinion 
of such expert, who thereby will become responsible for such damage as might result were his opinion 
without foundation. 

10. Records. The records of the auctioneer and the Association are in all cases to be considered 
final and the highest bid shall in all cases be accepted by both buyer and seller as the value against 
which all claims for losses or damage shall lie. 

11. Buying on Order. Buying or bidding by the Association for responsible parties on orders 
transmitted to it by mail, telegraph, or telephone will be faithfully attended to without charge or 
commission. Any purchases so made will be subject to the foregoing conditions of sale, except that, 
in the event of a purchase of a lot of one or more books by or for a purchaser who has not through 
himself or his agent been present at the exhibition or sale, the Association will permit such lot to be 
returned within ten days from the date of sale, and the purchase money will be tefunded if the lot in 
any manner differs from its catalogue description. 

Orders for execution by the Association should be given with such clearness as to leave no room for 
misunderstanding. Not only should the lot number be given, but also the title, and bids should be 
stated to be so much for the lot, and when the lot consists of one or more volumes of books or objects 
of art, the bid per volume or piece should also be stated. If the one transmitting the order is unknown 
to the Association, a deposit must be sent or reference submitted. Shipping directions should also be 
given. 

Priced Catalogues. Priced copies of the catalogue, or any session thereof, will be furnished by 
the Association at charges commensurate with the duties involved in copying the necessary informa- 
tion from the records of the Association. 

No person other than the auctioneer or an official of the Association is authorized to arrange condi- 
tions of sale different in any way from those herein contained. 

AMERICAN ART ASSOCIATION, Inc., MANAGERS, 
DEPARTMENT OF BOOKS AND PRINTS 
OTTO BERNET anp HIRAM H. PARKE, ARTHUR SWANN, Director 
AUCTIONEERS 


First Session, Numbers 1 to 158, inclusive 


TUESDAY EVENING, MARCH 25TH, AT 8:15 O’CLOCK 


PIERRE MICHEL ALIX 


Alix was a pupil of Descamps and Ph. Le Bas and one of the most suc- 
cessful men who practiced color printing. Born in 1762; died in 1817. 


Pee ee LEK RE MICHEL, 


Ts 


BENJAMIN FRANKLIN. Engraving in gouache manner. 
Portalis et Beraldi, No. 93. After Vanloo. Brilliant impression 
with the address of Drouhin; printed in colors. With large mar- 
gins trimmed to the plate-mark. 


ALIX, PIERRE MICHEL 
2. CostuME Hampourceors. Aquatint, printed in colors. 


Le Blanc, No. too. Proof with coat-of-arms and with the artist’s 
names only,—Lespinay, pinxt,—P. M. Alix sculpt. Supers Im- 
PRESSION, showing register-marks, in perfect condition. Outer 
margins trimmed to plate-mark. 


Costume Hameourceois. Aquatint, printed in colors. 

Le Blanc, No. ror. Proof with coat-of-arms, the artist’s names,— 
Lespinay, pinxt,—P. M. Alix, sculpt. and imprime par Bassand. 
SUPERB IMPRESSION. showing register-marks, in perfect condition. 
Outer margins trimmed to plate-mark. 

Together, 2 pieces (pair). 

Extremely rare and two of the most beautiful examples of French color printing. 
[See Illustrations] 


pis PIERRE MICHEL 
3. Portrait or JEAN Racine. Aquatint, printed in colors. 


Peint par J. B. Santerre,—Grave par P. M. Alix,—Published in 
Paris. Fine Impression, with inscription. Margins. 


ALIX, PIERRE MICHEL 
4. Portrait oF Montesouieu, French Authority on Jurisprudence. 


Aquatint, printed in colors. 
Peint par Garnerey,—Grave par P. M. Alix,—Published in Paris. 
Fine Impression, with inscription. Margins. 


Kindly read Conditions of Sale in forepart of Catalogue 


. ee 
SF eB 


ALIX, PIERRE MICHEL 
5. VOLTAIRE (FRANCOIS MarigE AROUET DE), in Fur Coat. Dedié a 
Belle et Bonne fille adoptive de Voltaire. Engraving in gouache 


manner. 
Portalis et Beraldi, No. 39. After J. F. Garnerey. Very FINE 


IMpRESSION, with Drouhin’s address, printed in colors. With very 
large margins but lacking the plate-mark. 


JOSEPH BARNEY 


English painter and engraver, of the latter part of the Eighteenth 
Century. 


BARNEY, JOSEPH 
6. SitviA AND Her Dyinc Fawn. Stipple, printed in colors. | 
Josh. Barney, pinxt, et sculpt.—London, Oct. 2oth, 1805. Published 
by Darling and Thompson. Goop Impression, with inscription. 
Stained, repaired and mounted on thin board. 


First Session, Tuesday Evening, March 25th 


FRANCESCO BARTOLOZZI 


Celebrated engraver, born in Florence, 1725; died in Lisbon, nea h ale 


Bek OLOZZI, FRANCESCO 


7. ApoTHEosis. Stipple, printed in colors. 
Painted by Wm. Hamilton,—Engraved by F. Bartolozzi,—Published 
in 1709, by W. Dickinson. Fine Impression, with inscription. 
Margins trimmed to engraved surface. 


BARTOLOZZI, FRANCESCO 


8. A St. Gites Beauty: A Sr. James’s Beauty. Stipples, colored by hand. 
J. H. Benwell, pinxt..—F. Bartolozzi, sculpt.,—Published in Sept. 
1783, by E. M. Diemar. Goop Impressions, with inscriptions. 
Together, 2 pieces (pair). 


Kindly read Conditions of Sale in forepart of Catalogue 


BARTOLOZZI, FRANCESCO 


9. CoUNTESS OF HARRINGTON AND CHILDREN. Stipple. 
Painted by Sir Joshua Reynolds,—Engraved by F. Bartolozzi, R. A. 
FINE IMpRESSION, with inscription. Margins trimmed inside plate- 
mark, 


BARTOLOZZI, FRANCESCO 


10. ELoPEMENT : Remorse. Stipples, printed in colors. 
Engraved by Bartolozzi. Fine Impressions, margins trimmed to 
engraved surface. 
Together, 2 pieces. 


BARTOLOZZI, FRANCESCO 


11. Honsie. Mr. Leicester STANHOPE. Stipple, printed in colors. 
Painted by Sir Joshua Reynolds,—Engraved by F. Bartolozzi, R. A., 
Published June, 1789, by F. Bartolozzi & Co., No. 81 Great Titch- 
field Street. Very Fine Impression, with inscriptions. Margins 
trimmed inside plate-mark. 


BARTOLOZZLSRRANGESCO 


12. JEaLousy : THE Dance. Stipple Engravings. 
H. Bunbury, Esq., Delint., and W. Harding, Invt..—Engraved by 
F. Bartolozzi. Fine Impressions, trimmed inside plate-marks. 
Together, 2 pieces. 


BARTOLOZZI, FRANCESCO 


13. Lavinia. Stipple, printed in colors. 
Gainsborough R. A. Pinxt.—F. Bartolozzi, Engraver,—London, 
Published Jan. 5th, 1790, by Thos. Macklin. Very Fine Impres- 
SION, with inscription. Margins trimmed to plate-mark. 


BARTOLOZZIVFRANCESGO 


14. NymMpus Batuinc : Nympus AFTer BatHINnG. Stipples, printed in 
colors. 
G. B. Cipriani Invt..—Gravé d’aprés Bartolozzi. Goop IMPRESSIONS, 
with inscriptions. Full margins, slightly stained and folded. 
Together, 2 pieces (pair). 


BARTOLOZZI, FRANCESCO 


15. THE AFFECTIONATE BroTHeERS. Stipple Engraving. 
Sir Joshua Reynolds, pinxt. R.A.—F. Bartolozzi, Sculpt. R.A.— 
Published as the Act Directs March 30th, 1791, by M. Benedetti. 
Very Fine Impression, with inscription. Margins trimmed to 
plate-mark. 


SCOTT, EDMUND 
THE CHILDREN IN THE Woop. Stipple Engraving. 
Designed by Thomas Stothard,—Engraved by Edmund Scott. Fine 
IMPRESSION, With inscription. Trimmed inside plate-mark. 
Together, 2 pieces. 


First Session, Tuesday Evening, March 25th 


Pam POLOZZI, FRANCESCO 
16. THe Farr Morarist AND Her Pupiu. Stipple. 
R. Cosway, delin..—F. Bartolozzi, sculpt.—London, Published Feb. 
2oth, 1787, by W. Dickinson. Finer Impression, with inscription. 
Small margins. 


BARTOLOZZI, FRANCESCO 
17. THE GiRL AND KitTEN. Stipple, printed in colors. 
Engraved by F. Bartolozzi, after the painting by Reynolds. Fine 
IMPRESSION. Good margin but trimmed inside plate-mark, other- 
wise in perfect condition. 


Ber vOulOZ7Z!, FRANCESCO 
18. THE HonourasLte Miss BincHam. Stipple, touched in colors. 
Painted by Sir Joshua Reynolds,—Engraved by F. Bartolozzi, R.A. 
Goop Impression, with inscription. Torn and repaired in lower 
margin. 


PIERRE ANTOINE BAUDOUIN 


Miniature painter, pupil of F. Boucher and Greuze. Born in 1723; 
died in 1769. 


BAUDOUIN, PIERRE ANTOINE 
19. Le PoktE ANacrEon. Etching. 
L. Bocher, No. 37. Etching finished with the graver by N. de 
Launay. Third state, Macniricent Impression, with the inscrip- 
tion but before Morel’s address. With untrimmed margin (deckle 
edges). 


BAUDOUIN, PIERRE ANTOINE 


20. Les Deux Amants. Stipple. 
Engraved by A. M. De Gouy. Brittiant Impression, trimmed to 
the engraved border.’ Charming little engraving made in the 
XVIlIth Century for top of boxes. 


NOEL FRANCOIS BERTRAND 


French engraver, born in 1784; died in 1852. 


BERTRAND, NOEL FRANCOIS 


21. Louis XVII Ror pe France et DE Navarre. Stipple. 

After a drawing of A. Laby. Fine Impression, with the inscrip- 
tion, printed in colors. The blue tint has been applied with the 
brush. With small margin trimmed inside the plate-mark. 
Mounted on drawing paper. 


Kindly read Conditions of Sale in forepart of Catalogue 


WILLIAM REDMORE BIGG 


Celebrated English painter, born in 1755; died in London, in 1828. 


BIGG, WILLIAM REDMORE 


22. Dutce Domum, or the Return from School. Meszzotint, printed in 
colors. 
Painted by W. R. Bigg, A..—Engraved by J. Jones,—Published Dec. 
I, 1790, by W. R. Bigg, Gate St. Lincoln’s Inn Fields. Very 
Fine Impression, with inscription, slightly stained around edges, 
otherwise in perfect condition. Small margins. 


[No. 22] 


Brack Monpay, or the Departure for School. Mezzotint, printed in 
colors. 

Painted by W. R. Bigg, A.,—Engraved by John Jones,—Published 
Devi tyi700/ebyaw oR, Bigg, Gate St. Lincoln’s Inn Fields. Very 
FINE IMPRESSION, with inscription, slightly stained around edges, 
otherwise in perfect condition. Small margins. 

Together, 2 pieces (pair). - 


[See Illustrations] 


First Session, Tuesday Evening, March 25th 


TER 


BIGG, WILLIAM REDMORE 


23. SaTurDAY Morning, or The Cottager’s Merchandise. Stipple, printed 
in colors. 

Painted by W. R. Bigg, A.—Engraved by Burke,—London, Pub- 
lished Jan. 4th, 1797, by J. Brydon, Charing Cross. Very Fine 


IMPRESSION, with inscription. Good margins but trimmed. to 
plate-mark. 


SATURDAY Eventnc, THe HussanpMAn’s RETURN FROM L 
Stipple, printed in colors. 

Painted by W. R. Bigg, A.,—Engraved by W. Nutter,—London, 

Published Jan. 31st, 1795, by J. Brydon, Charing Cross. Very 


Fine Impression, with inscription. Good margins but trimmed 
to plate-mark. 


Together, 2 pieces (pair). 


ABOUR. 


Kindly read Conditions of Sale in forepart of Catalogue 


BIGG, WILLIAM REDMORE 
24. Tue Soxprer’s Wipow. Meszotint, printed in colors. 
Painted by W. R. Bigg, A.R.A..—Engraved by R. Dunkarton,— 
Published 2d, August 1800, by W. R. Bigg, Gate Street Lincoln’s 
Inn Fields, London. Supers Impression, with full inscription. 
In perfect condition. 


[No. 24] 


Tue Sarvor’s OrPpHANS. Mezgzotint, printed in colors. 

Painted by W. R. Bigg, A.R.A..—Engraved by W. Ward,—Pub- 
lished 1st, June, 1800, by W. R. Bigg, Gate Street Lincoln’s Inn 
Fields, London. Supers Impression, with full inscription. Few 
small holes repaired. : 

Together, 2 pieces (pair). 

[See Illustrations] 


First Session, Tuesday Evening, March 25th 
oe EE TO a Re ae 


BIGG, WILLIAM REDMORE 


25. Dutce Domum, or the Return from School. Mezzotint, printed in 
colors. 
Painted by W. R. Bigg,—Engraved by John Jones,—Published as 
the Act directs Dec. Ist, 1790, by W. R. Bigg. Very Goop Im- 
PRESSION, With inscription. Slightly stained, surface repaired in 
few places, small margins. 


Biack Monpay, or the Departure for School. Mezzotint, printed in 
colors. 

Painted by W. R. Bigg,—Engraved by John Jones,—Published Dec. 
Ist, 1790, by W. R. Bigg. Very Goop Impression, with inscrip- 
tion. Slightly stained, surface repaired in few places, small 
Margins. 

Together, 2 pieces (pair). 


Kindly read Conditions of Sale in forepart of Catalogue 


BIGG, WILLIAM REDMORE 


26. Tue Stormy Nicut. Meszotint, printed in colors. 
Painted by W. R. Bigg, —Engraved by W. Ward, “pyplened by 
W.R. Bigg, Gate St. London, March, 1798. FINE IMPRESSION, 
with inscription. Margins repaired. 


MorniNG AFTER THE STORM. Mezzotint, printed im colors. 

Painted by W. R. Bigg,—Engraved by W. Ward,—Published by 
W.R. Bigg, Gate St. London, March, 1798. Finer Impression, 
with inscription. Repaired along plate-mark, on upper and right 
margins. 

Together, 2 pieces (pair). 


BIGG, WILLIAM REDMORE 


27. SaTuRDAY Morninc Goinc To Market: THe Citizens. RETREAT. 
Stipples, printed in colors. 

Painted by W. R. Bigg,—and J. Ward,—Engraved by Thouvenin,— 
London, Published by Tessari & Can Pall Mall. Good impres- 
sions, with inscriptions. Margins trimmed to plate-mark. 

Together, 2 pieces. 


BIGG, WILLIAM REDMORE 
28. Tue Stormy Nicut. Mezzotint, pr inted in colors. 
Painted by W. R. Bigg,—Engr aved by W. Ward,—Published March, 
1798, by W. R. Bigg, Gate Street, Lincoln’s Inn Fields, London. 
Good impression, with inscription. Repaired. 


MorninG AFTER THE StoRM. Mezzotint, printed in colors. 

Painted by W. R. Bigg,—Engraved by W. Ward,—Published March, 
1798, by W. R. Bigg, Gate Street, Lincoln’s Inn Fields, London. 
Good impression, with inscription. Repaired. 

Together, 2 pieces (pair). 


BIGG, WILLIAM REDMORE 


29. Tue Stray’ Favorite Restorep. Stipple, printed in colors. 
Painted by W. R. Bigg, A.R.A.,—Engraved by T. Hellyer,—Printed 
in colours by P. Gaugain, —Published April, 1798, by W. R. Bigg, 
Gate St. Lincoln’s Inn Fields. Very Five IMPRESSION, with 
inscription. Good margins but trimmed inside plate-mark. 
[See Illustration] 


BIGG, WILLIAM REDMORE 


30. WetLcome Home, or The Harvestman’s Return. Mezszotint, m colors. 
W. R. Bigg, pinx.—R. Dunkarton, sculp. Good impression, with 
inscription. Trimmed to engraved surface. 


LOUIS LEOPOLD BOILLY 


Celebrated French painter and engraver, born in 1761; died in Paris 
in 1845 
BOILLY, LOUIS LEOPOLD 
31. L’Optigue. Stipple, printed in colors. 
Peint par L. Boilly—Grave par F. Cazenave. FINE IMPRESSION, 
with inscription. Margins trimmed inside plate-mark. 


First Session, Tuesday Evening, March 25th 


[No. 29] 


Peeeiy, LOUIS LEOPOLD 


32. La Soxitupe. Stipple, printed in colors. 
L. Boilly, pinxit,—S. Tresca, sculpt.—A Paris chez, l’Auteur Rue 
des Matburins, No. 12. Supers Proor, with inscription, in perfect 
condition. 


WILLIAM -BOND 
English engraver of the Eighteenth Century. 


BOND, WILLIAM 


33. Lapy HaAmMILTon, As Saint CeciLia. Stipple, printed in colors. 
After the painting by J. Russell—Engraved by W. Bond,—Pub- 
lished in 1795, by W. Bond. Fine Impression, with inscription. 
Margins trimmed inside plate-mark. 


LOUIS MARIN BONNET 
Celebrated French engraver, born in Paris in 1743: died in 1793. 


BONNET, LOUIS MARIN 


34. Les Soins Marernets. Engraving. 
J. B. Huet, del.—L. M. Bonnet, sculp. Frne Impression, with in- 
scription, small margins, with slight repair in upper. 
From the F. R. Halsey collection. 


Kindly read Conditions of Sale in forepart of Catalogue 


FRANCOIS BOUCHER 


The most celebrated French painter of the middle of the XVIIIth Cen- 
tury, whose work dominated the artistic tendencies of the period; 
born in 1703; died in 1790. 


BOUCHER, FRANCOIS 
35. FEMME NUE ET L’Amour. Engraving. 
L. de Leymarie, No. 21. Engraved in crayon manner by G. De- 
marteau lainé. Very FinE Impression, printed in sanguine. 
With large margin showing the plate-mark. 


BOUCHER, FRANCOIS 
36. CHEvRES ET Moutons. Engraving. 
L. de Leymarie, No. 56. Engraved in crayon-manner by G. De- 
marteau l’ainé. VERY FINE Impression, printed in sanguine. 
With very large margin showing the plate-mark. A slight crease 
carefully ironed out. 


MovutTons ET CuHevres. Engraving. 

LL. de Leymarie, No. 57. Engraved in crayon-manner by G. 
Demarteau l’ainé. VeERy FINE Impression, printed in sanguine. 
With small margin trimmed to the engraved border. 

Together, 2 pieces. 


BOUCHER, FRANCOIS 
37. Petit MENAGE. Engraving. 

L. de Leymarie, No. 58 Engraved in crayon-manner by G. 
Demarteau I’ainé. Impression printed in sanguine. With small 
margin trimmed to the engraved border. Slightly torn on the 
right side and carefully repaired. 


Les Praisirs INNocENS. Engraving. 

L. de Leymarie, No. 174. Engraved in crayon-manner by G. 
Demarteau l’ainé. Impression printed in sanguine. With margin 
trimmed quarter of an inch of the inside engraved border. 

Together, 2 pieces. 


BOUCHER, FRANCOIS 
38. La PAYSANNE A LA CRUCHE. Engraving. 
L. de Leymarie, No. 78. Engraved in crayon-manner by G. 
Demarteau l’ainé. Impression printed in sanguine. With margin 
trimmed inside the engraved border. 


JEUNE FEMME A L’AMPHORE. Engraving. 

L. de Leymarie, No. 123. Engraved in crayon-manner by G. 
Demarteau l’ainé. Impression printed in sanguine. With margin 
trimmed inside the engraved border. 

Together, 2 pieces. 


BOUCHER, FRANCOIS 
39. TETE DE FEMME. Engraving. 
L. de Leymarie, No. 289. Engraved in crayon-manner by G. 
Demarteau l’ainé. Impression printed in sanguine. With the 
margin trimmed inside the engraved border. 


Pe ee 


First Session, Tuesday Evening, March 25th 
eS eee iE nee ee a 


BOUCHER, FRANCOIS 
40. Les PLaisirs INNOCENS. Engraving. 
L. de Leymarie, No. 433. Engraved in crayon-manner by G. 
Demarteau l’ainé. Fine IMPRESSION, printed in sanguine. With 
margin trimmed to the engraved border. 


BOUCHER, FRANCOIS 
41. La JarpinrerE (Mmr. Favarr). Engraving. 
L. de Leymarie, No. 470. Engraved’ in crayon-manner by G. 
Demarteau l’ainé. BritLtrant IMPRESSION, printed in sanguine. 
With margin trimmed to the engraved border. 


BOUCHER, FRANCOIS 
42. Femme Nvue ETeENDUE. Engraving. 
L. de Leymarie, No. 552. - Engraved: in crayon-manner by G., 
Demarteau l’ainé. Supers Impression, printed in two colors. 
With margin trimmed to the engraved border. 
One of the finest engravings of G. Demarteau. 


BOUCHER, FRANCOIS 


43. BatusHeBa. Engraving. 
Engraved in crayon-manner by W. W. Ryland, 1764. Very FIne 
IMPRESSION, printed in sanguine. With large margin showing 
the plate-mark. 


BOUCHER, FRANCOIS 


44. L’Amour ET LA Cotomse. Engraving. 
Engraved in crayon-manner by G. Demarteau l’ainé. Charming 
Impression, printed in two colors. With small margin trimmed 
outside of the engraved border. 


BOUCHER, FRANCOIS 


45. Venus ALA TorLette. Engraving. 
Engraved in crayon-manner by L. M. Bonnet. Brittiant Impres- 
SION, printed in two colors. With margin trimmed to the en- 
graved border. A slight tear in the face of the cupid carefully 
repaired. 


The above engraving has been reproduced in chromo lithography by G. W. Thorn- 
ley in “Le Bulletin des Beaux Arts, rst year.” 


PIERRE BOUILLON 


French painter, born in 1776; died in 1831. 


BOUILLON, PIERRE 


46. JOURNEE DU 20 JUIN 1792, Au Chateau des Tuileries. Stipple, printed 
in. colors. 
Bouillon, delt, 1794,—Verité Sculpt.—Fine IMPRESSION, with in- 
scription. Small margins. 


Kindly read Conditions of Sale in forepart of Catalogue 


BERNARD BOUTET DE MONVEL 


Modern French illustrator. 


BOUTET DE MONVEL, BERNARD 
464. Parts Race Scene. Wash drawing. 


THOMAS SHOTTER BOYS 


English landscape painter and lithographer. Boys was the first to use 
chromolithography in England. 


BOY Ss sCHOMAS Ss BOL TEE 


47. Eeiise St. LAurent A Rouen. Original lithograph. 
BRILLIANT IMPRESSION, printed in colors. With untrimmed margins. 
ANCIEN HoTEL DE LA TREMOUILLE, rue des Bourdonnais a Paris. 
Original lithograph. 
BRILLIANT IMPRESSION, printed in colors. With untrimmed margins. 
Together, 2 spreces, 


The two above lithographs are some of the earliest specimens of color printing 
in lithography. 


SIR EDWARD BURNE-JONES 


English painter and illustrator, born in 1833; died in 1808. 


BURNE-JONES, SIR EDWARD 
47A. STUDIES OF ArMoR. Pencil and chalk drawing. 
DRAWING OF A HELMET. Pen and watercolor drawing. 
Drawings for Sir Henry Irving’s production of King Arthur. 
Together, 2 pieces. 


CARICATURES 


CARICATURE 
48. FRENCHMEN IN NoveMBER : ENGLISH MEN 1N NovemBer : A Trip TO 
SCARBOROUGH : Les EFFETS DU FANATISME. Etchings, and En- 
graving, in colors. 
Published by R. Rowlandson,—J. Bretherton, and French publica- 
tion. Good impressions, with inscriptions. 
Together, 4 pieces. 


CARICATURE 
49. JoHN GILPIN’s ReTuRN To Lonpon. Aquatint and Etching, printed 
in colors. 


Designed and Etched by H. Wigstead,—The Aquatinto by J. Jukes, 
—London, Published May 14th, 1785, by J. R. Smith. Fine Im- 
PRESSION, with inscription. Margins trimmed to etched surface, 
and lower right and left corners repaired. 


First Session, Tuesday Evening, March 25th 


CARICATURE 


50. Les Dames AnciAtses Apres Dini, Scénes Anglaises dessinées a 
Londres par un frangais prisonnier de Guerre. Line engraving, 
colored by hand. 

With large margins showing the plate-mark. Published by Martinet 
circa 1812. Very amusing caricature of the period of the First 
Empire. 


FRANCOIS CAZENAVE 


French engraver of the early Nineteenth Century. 


CAZENAVE, FRANCOIS 


51. Le Biritet-Dovux. Stipple, printed in colors. 
Cazenave, sculpt. Verry Fine Proor, with artist’s name only. Large 
margins, but trimmed inside plate-mark. 
From the F. R. Halsey collection. 


NICOLAS COLIBERT 


Painter and engraver, born in Paris in 1750; died in 1806. Worked 
mostly in dotted manner. 


COLIBERT, NICOLAS 


52. L’Amour Couronne La Beauté Qui Lur Sourit. Stipple, printed 
in colors. 
Colibert, pinxt,—Colibert, sculp. Fine Impression, with inscription, 
Margins trimmed to plate-mark. 


PoOripeRT, NICOLAS 
53. PARADISE Lost. Stipple engravings. 

By N. Colibert, A. L. Clement, Cazenave after N. Monsiau. 
SUPERB ImpREssioNs, proof before all letters but with the artists’ 
names traced with the needle, printed in colors. With very large 
margin trimmed to the plate-mark. 

Set of five plates for the illustration of Milton’s “Paradise Lost,” 
published by de Maisonneuve. 


ROBERT COOPER 


English engraver of the latter part of the Eighteenth Century, 


COOPER, ROBERT 


54. Love Wounpvep: Love Heatep. Stipples, printed in colors. 
S. Shelley, inv.—Robt. Cooper, sculpt.—London, March 14th, 1798. 
Published by J. Young. Fine Impressions, with inscriptions. 
Small margins. 
Together, 2 pieces (pair). 


Kindly read Conditions of Sale in forepart of Catalogue 


RICHARD COSWAY 
Celebrated English painter, born in 1742; died in 1821. 


COSWAY, RICHARD 


55. SPORTIVE INNOCENCE. Stipple, printed in colors. 
Painted by R. Cosway, R. A..—Engraved by E. Scriven,—Published 
Aug. Ist, 1802, by Clay & Scriven, London. Fine Impression, 
with inscription. In perfect condition, large margins. 


JOHN DEAN 


English Mezzotint engraver of the latter part of the Eighteenth Century. 


DEAN, JOHN 


56. CAROLINE DE LiTcHFIELD. Megzotint. 
Painted by J. Hoppner,—Engraved by J. Dean,—Published Dec. 
14th, 1786, by J. Dean, Bentinck St. Soho. Good impression, 
surface rubbed and touched in a few places. 


PHILIBERT LOUIS DEBUCOURT 


Celebrated French engraver and color printer; born in Paris in r75s: 
died there in 1832. , 


DEBUCOURT PHVB ik hyeOuls 


57. PaysaGe, Errer pE N&ice. Aquatint, printed in colors. 

Fenaille, No. 255. Engraved after the engraver’s own design. 
Fine Inwpression, in perfect condition. Margins trimmed to 
plate-mark. 

From the F. R. Halsey collection. 


DEBUCOURTOCCPHIDIERE Decor. 


58. La FLramBeEE pu Cocuon, Erret p—E N&IcE. Aquatint, printed m Paes 

Fenaille, No. 257. Engraved after the engraver’s own design. 

Fine ImMprESSION, in perfect condition. Marsins trimmed to 
plate-mark. 


CHARLES MELCHIOR DESCOURTIS 


Born in 1753; died in 1820. “He was a pupil of Janinet and in every 
way worthy of his master. All his technical skill and his charming 
sense of colour he put in the translation of Taunay and Schall’s 
designs.” ——-M. C. SaLaMan. 


DESCOURTIS, CHARLES: MELCHIC3§ 
59. Les Espigcies. Aquatint in gouache-manner. 

Portalis et Beraldi, No. 36. After F. J. Schall. Fine Impression, 
with the’ inscription, beautifully printed in colors. With large 
margin trimmed to the plate-mark on top and sides but showing 
the name at the bottom. 


“This with ‘L’Amant Surpris’ is perhaps the best attempt at ceRnCane the deli- 
cate features of a gouache.”—SaALaMAN. 


[See Illustration] 


First Session, Tuesday Evening, March 25th 


[No. 59] 


HONORE DAUMIER 


Celebrated French lithographer, born at Marseilles, 1808; died 1879. 


DAUMIER, HONORE 
59A. StTuDY oF A Heap. Pen-and-ink drawing. 


RICHARD EARLOM 


Celebrated English mezzotint engraver, born in 1743; died in 1822. 


FARLOM, RICHARD 


60. GEORGE THE THIRD AND Famity. Megzzotint. 
Zoffany, pinxit, 1770,—Rd. Earlom, sculpsit, London, Oct. 29th, 
1770. Published as the Act directs Ist, Jany. 1771. Fine Im- 
PRESSION, with full inscription. Margins trimmed to plate-mark. 


Kindly read Conditions of Sale in forepart of Catalogue 
eee eee 


EARLOM, RICHARD 


61. Toe Witcu. Mezzotint. 
Peniers, pinxt.—Rich. Earlom, Sculpsit.,—Pub. Jan. 2, 1786, by 
Boydell. Good impression, with inscription. Slightly stained. 


S. ARLENT EDWARDS 


Contemporary mezzotint engraver... Revived the art of color printing 
from a mezzotint plate—done in one printing and without any re- 
touching, as it was practiced a hundred years ago by the English 
engravers. His work has great depth and brillianey of tone. 


EDWARDS, S. ARLENT 
62. DuKE anp DucHEss oF CUMBERLAND, Mezzotint, printed in colors. 
After the painting by Gainsborough. Signed Artist’s Proof. Finer 
IMPRESSION, in perfect condition. Edition limited to 225 proofs. 
Hand-carved gilt frame. 


EDWARDS, S. ARLENT 
63. Exrvira (Called The Unknown Lady). Meszotint, printed in colors. 
After the painting by P. Della Francesca. Signed Artist’s Proof. 
FINE IMPRESSION, in perfect condition. Edition limited to 225 
proofs. Framed. 


EDWARDS, S. ARLENT 
64. Francois II, (Dauphin of France). Mezzotint, printed in colors. 
After the painting by Clouet. Signed Artist’s Proof Fine Im- 
PRESSION, in perfect condition. Edition limited to 225 proofs. 
Framed. 


BDW AKDS) 5 ARLENA 
65. GrorGE WasHINGTON. Mezzotint, printed in colors. 
After the painting by Savage. Signed Artist’s Proof. Very Fine 
IMPRESSION, in perfect condition. Ebony and gold frame. 


EDWARDS, S. ARLENT 
66. Jor JEFFERSON. Mezzotint, printed in colors. 
Signed Artist’s Proof. Fine Impression. Also Stipple Engrav- 
ings, printed in colors: Miss DuNcAN, by Cardon, after Barber; 
[and] VeNus anv Aponis, by Nutter, after Cosway. 
Together, 3 pieces. 


EDWARDS, S. ARLENT 
67. Lapy Betty. Mezzotint, printed in colors. . 
After the painting by Romney. Signed Artist’s Proof. Fine Im- 
PRESSION, in perfect condition. Framed. 


EDWARDS, S. ARLENT 
68. Lupovica Tornasuoni. Meszotint, printed in colors. 
After the painting by Ghirlandaio. Signed Artist’s Proof. Very 
FINE Impression. Edition limited to 175 copies. Framed. 


er ee 


First Session, Tuesday Evening, March 25th 


EDWARDS, S. ARLENT 


69. MapaMe ADELAIDE, AS Diana. Mezzotint, printed in colors. 
After the painting by Nattier. Signed Artist’s Proof. Fine Im- 
PRESSION, in perfect condition. Edition limited to 175 proofs. 
Ornamented gilt frame. 


EDWARDS, S. ARLENT 
70. Mrs. Davenport. Mezzotint, printed in colors. 
After the painting by George Romney. Signed Artist’s Proof. 


FINE Impression, in perfect condition. Edition limited to 175 
proofs. Ornamented gilt frame. 


POWARDS (>. ARLENT 
71. Mrs. Hamitton oF Kames. Mezzotint, printed in colors. 
After the painting by Raeburn. Signed Artist’s Proof. Fine In- 
PRESSION, in perfect condition. Edition, limited to 225 proofs. 


EDWARDS, S. ARLENT 
72. Mrs. Luoyp. Mezzotint, printed in colors. 
After the painting by Reynolds. Signed Artist’s Proof. Fine 


IMPRESSION, in perfect condition. Edition limited to 225 proofs. 
Hand carved gilt frame. 


BDWARDS, S. ARLENT 
73. Mrs. Wetts. Mezzotint, printed in colors. 
After the painting by George Romney. Signed Artist’s Proof. 


Fine ImpREsSION, in perfect condition. Edition limited to 135 
proofs. Gilt frame. 


EDWARDS, S. ARLENT 


74. SIMONETTA VeEspuccia. Mezzotint, printed in colors. 
After the painting by Pierro di Cosimo. Signed Artist’s Proof. 
Fine IMpRESSION, in perfect condition. Framed. 


EDWARDS, S. ARLENT 


75. SLEEPING SHEPHERDESS. Mezzotint, printed in colors. 
After the painting by Boucher. Signed Artist’s Proof. Fine Im- 
PRESSION, in perfect condition. Edition limited to 225 proofs. 


EDWARDS, S. ARLENT 


76. THe Gypsy’s Warninc. Mezzotint, printed in colors. 
After the painting by Peters. Signed Artist’s Proof. Fine Im- 
PRESSION, in perfect condition. Edition limited to 125 proofs. 
Framed. 


JOHN FABER 
Dutch engraver, born in 1684; died in 1756. 
FABER, JOHN 


77- Music. Mezzotint. 
After the painting by Mercier. Verry FINE IMPRESSION, with full 
inscription. Published March 2sth, 1744. 


Kindly read Conditions of Sale in forepart of Catalogue 


EDWARD FISHER 


Celebrated English mezzotint engraver, born in 1730; died in London, 
in 1785. 


FISHER, EDWARD 


78. YORKE, THE LapiEs AMABEL AND Mary Jemima. Megzotint. 
J.C. Smith, No. 61. First State Proof before all letters. Painted 
by Sir Joshua Reynolds;—Engraved by E, Fisher. Fine Im- 
PRESSION, margins trimmed inside plate-mark. Rebacked. 


JEAN HONORE FRAGONARD 


With Boucher and Watteau one of the most popular French painters of 
the XVIIIth century; born in 1732; died in 1806, 


FRAGONARD, HONORE 


79. L’Epucation Fait Tout. Etching. 
Portalis et Beraldi, No. 19. Finished with the graver by Nicolas de 
Launay. Impression with the inscription. With margin trimmed 
to the plate-mark. 


THOMAS GAUGAIN 


English stipple engraver, born in Abbeville, France, in 1748; died in 1805. 


GAUGAIN, THOMAS 


80. THe Wire or BatH : JANUARY AND May. Stipple, colored by hand. 
Thos. Gaugain, fecit.—Pubd. Oct. 1783, and March 1782; by T. 
Gaugain, London. Good impressions, with inscriptions. 
Together, 2 pieces. 


GAUGAIN, THOMAS 


81. THe Woop Boy. Stipple, printed in colors. 
Painted by B. Barker,—Engraved by T. Gaugain. Goop Impression, 
with inscription. Slightly rubbed. Framed in gold frame with 
black and gold mount. 


Avis DEYGOIs 


GOUN Ase 
82. Cou-Cov. Stipple engraving. 
After W. Regnault. Brittranr Impression, with the inscription. 
With untrimmed margin (deckle edges). 


VALENTINE GREEN 


Celebrated English mezzotint engraver, born in 1739; died in 1813. 


GREEN, VALENTINE 
83. WricHt Famity. Megzotint 
J. C. Smith, No. 141. Jos. Wright, pinxit,—Val. Green fea 
Fine Impression, Proor Brerore THE INSCRIPTION, margins re- 
paired. 


First Session, Tuesday Evening, March 25th 


GREEN, VALENTINE 
64. HENRY Laurens Esqg., President of the American Congress, 1778. 
Mezzotint. 
temoniiny ol. 2, No, $0. Painted by J. S. Copley, R. A. and 
Engraved by V. Green,—Published Oct. Ist, 1782, by J. Stockdale, 
Piccadilly, London. Fine Impression, with inscription. Margins 
trimmed to engraved surface, repaired and mounted. 


GREEN, VALENTINE 


85. GEORGE WASHINGTON. Megzotint. 
J. C. Smith, Vol. 2, No. 135. Second State of two. Painted by 
J. Trumbull, Esq. of Connecticut 1780,—Engraved by V. Green, 
Mezzotinto Engraver to his Majesty & to the Elector Palatine,— 
Published by Appointmt. of M. DeNeufville Janry. 15th, 1781, 
by V. Green, N. 29 Newman Street, Oxford Street, London. 
FINE IMpREsSSION, with inscription. Lower left corner repaired. 


ELIZABETH GULLAND 


Contemporary English mezzotint engraver. 


mw REAND, ELIZABETH 


86. Lirtte Miss Crewe. Mezzotint, printed in colors. 
After the painting by Reynolds. Signed Artist’s Proof. Fine 
IMPRESSION, on Dutch paper, in perfect condition. 


Perla ELIZABETH 


87. Miss Fitzpatrick. Mezgzotint. 
After the painting by Reynolds. Signed Artist’s Proof. Fine 
IMPRESSION, on India paper, in perfect condition. This subject 
has not been issued in colors. 


KARL ERNST CHRISTOPH HESS 


German engraver, born in 1755: died in 1828. 


Pease ak ERNST CHRISTOPH 


88. RusBens AND His First Wire. Stipple, printed in colors. 
Painted by Rubens,—Engraved by Charles Hess,—Published July 
Ist, 1797, by T. Phillipe. Very good impression, trimmed to 
plate-mark. 


HOKUSAI 


Japanese artist. 


HOKUSAI 
88a. Otp Man With Rake. Brush and ink. 


From the Francis Lathrop collection. 


Kindly read Conditions of Sale in forepart of Catalogue 
eS 


JEAN BAPTISTE HUET 


Celebrated landscape and animal painter, pupil of J. B. Leprince. He 
also made a few portraits which are highly appreciated by the 
collectors. Born in 1745; died in 1811. 


HUET, JEAN BAPTISTE 


89. La Bercére. Engraving. 
L. de Leymarie, No. 471. Engraved in crayon-manner by G. Demar- 
teau l’ainé. Britt1ant Impression, printed in two colours. With 
margin trimmed to the inside engraved border. 


HUET; JEAN BAPTISTE 


90. Busre bE JEUNE Femme. Engraving. 
L. de Leymarie, No. 587. Engraved in crayon-manner by G. De- 
marteau l’ainé. Britttant Impression, printed in three colors. 
With small margins trimmed to the engraved border, but showing 

the artists’ names at the bottom. 


HUET, [EAN BAPDISTE 
91. BasTIENNE. Engraving. 
L. Bonnet, No. 753. Engraved in crayon-manner by L. M. Bonnet. 
Fine Impression, printed in sanguine. With very large margin 
showing the plate-mark. 


Woman’s Heap. Engraving. 

Engraved in crayon-manner by Basset. BRILLIANT IMPRESSION, 
printed in sanguine. With very large margin showing the plate- 
mark. 

Together, 2 pieces. 


HUET, JEAN BAPTISTE 


92. La PEINTURE. Engraving. 
Bonnet, No. 1065. Engraving in pastel manner by J. B. Mallet. 
Very FINE Impression, with the inscription, printed in colors. 
With very large margin showing the plate-mark. Mounted on 
bristol board. 


INCROYABLES ET MERVEILLEUSES 
93. ARISTIDE ET BrisE ScELLE. Stipple engraving, colored by hand. 
By Darcis after Carle Vernet. Brituiant IMPRESSION, with the 
inscription. With large margin showing the plate-mark. 


INCROYABLES ET MERVEILLEUSES 
94. Borur a La Mone. Stipple and line engraving, colored by hand. 
By Leclerc after Lancon. Fine Impression, with the inscription. 
With large margin trimmed to the plate-mark. 


INCROYABLES ET MERVEILLEUSES 
95. La Foxie pu Jour. Stipple engraving, colored by hand. 
By S. Tresca after L. Boilly. Very Fine Impression. With large 
margins showing the plate-mark at the top and sides. 


First Session, Tuesday Evening, March 25th 


INCROYABLES ET MERVEILLEUSES 
96. L’ANGLOMANE. Stipple and line engraving, colored by hand. 
By Darcis after Carle Vernet. Very Fine IMpREsSION, with the 
inscription. With very large margin showing the plate-mark. 


PC ROY ABLES ET MERVEILLEUSES 


97. La RENCONTRE DES INcROYABLES. Stipple and line engraving, printed 
in colors. 
By Ruotte after H. Bunbury. Supers [vpression, with the in- 
scription. With small margin lacking the plate-mark. 


INCROYABLES ET MERVEILLEUSES 
98. Les IncroyarLes. Stipple and line engraving. 
By Darcis after Carle Vernet. Fine ImPpREssIoN. With small 
margin lacking the plate-mark; a part of the title has been 
trimmed off. 


INCROYABLES ET MERVEILLEUSES 
99. L’INCONVENIENT DES PerruQues. Stipple engraving, colored by hand. 
By Darcis after the drawing of Carle Vernet. VERY Fine In- 
PRESSION, with the inscription. With very large margin showing 
the plate-mark. 


INCROYABLES ET MERVEILLEUSES 


100. Pauvre RentreR RuriNE—MERLAN A FRrire-A-Frire. Stipple and line 
engraving, colored by hand. 
By J. L. Julien after Carle Vernet. Supers IMPRESSION, with the 
inscription. With untrimmed margin (deckle edges). 


JEAN DOMINIQUE INGRES 


French artist, born in 1780; died in 1867. 


INGRES, JEAN DOMINIQUE 
100A. Roman Woman. Pencil drawing. 
Full-length study. Signed and dated. 
With stamp of the Degas sale. 


FRANCOIS JANINET 


Born in 1752: died in 1813. ‘He seems to have introduced color print- 
ing into France. His work is almost entirely reproductive, and 
embraces a multitude of subjects, from landscape and genre 
to portrait.”—HInp. 


JANINET, FRANCOIS 


iol. L’Acreaste Néciictk. Engraving in. gouache manner, printed im 
colors. 
Portalis et Beraldi, No. 1; E. Bocher, No. 28. After P. A. Baudoin. 
Fine Impression, with the engraver’s and painter’s name. With 
small margin lacking the inscription. The engraving has been 
cleaned but is otherwise in fine condition. 
Companion to No. 104, “L’Aimable Paysanne.” 


Kindly read Conditions of Sale in forepart of Catalogue 
ee ee 


JANINET, FRANCOIS 
102. Les Nourrices. Aquatint, printed in’ bistre: 
Portalis et Beraldi, No. 4. After F. Boucher. Britiianr IMPRES- 


SION, treated in watercolor manner. With small margin trimmed 
to the engraved border. 


JANINET, FRANCOIS 


103. Lr BerGer Couronne. Engraving, printed in colors. 
Portalis et Beraldi, No. 6. Engraving in pastel manner after TP. 
Caresme. Supers Impression. With large margin, lacking the 
plate mark and the address. 


JANINET, FRANCOIS 
104. ‘L’AIMABLE Paysanne. Engraving in gouache-manner, printed in 
colors. 
Portalis et Beraldi, No. 50. After Saint Quentin. : Second state; 
impression with the inscription but before the change of address. 
With large margins showing the plate-mark at the bottom only. 
Has been cleaned but? is otherwise in perfect condition. 
Companion to No, tor, “L’Agreable Négligé.” 


JANINET, FRANCOIS 


105. AUBERGE FLAMANDE. Engraving in gouache-manner, printed in colors. 
Portalis et Beraldi, No. 76. After a drawing by A. Van Ostade. 
With margins trimmed to the engraved border, mounted on board. 


JANINET, FRANCOIS 


106. PAssacE D’un Rutsseau DEVANT LES VIEUX REMPARTS D’UN VILLAGE. 
Aquatint in imitation of water color. 

Portalis et Beraldi, No. 03. After}. Ls Hoek Impression printed 
in Bistre. With margin trimmed to engraved border. The plate 
has been folded and ironed down and a small tear in the lower 
part carefully repaired. 


JANINET, FRANCOIS 


107. Henri IV. Engraving in gouache-manner, printed in colors. 
Portalis et Beraldi, No. 128a. After P. P. Rubens. VERY FINE 
Impression. Trimmed to the oval. 


JANINET, FRANCOIS 


108. BENJAMIN FRANKLIN. Aquatint, printed in colors. 


F’. Janinet, sculpt., 1789. Good impression, with inscription. Rubbed 
and stained. Small margins. 


ANGELICA KAUFFMAN 


Celebrated painter. Born in Coire in 1740; died in Rome in 1807. 


KAUFFMAN, ANGELICA 


109. Cupmp AsLerp : Cupip Bounp. Stipple engravings in Sepia. 
Angelica Kauffman, pinxt.—G. W. Ryland, sculpt. Good impres- 
sions, with inscriptions. Repaired. 
Together, 2 pieces. 


Taba Nn 124... 


oa 


First Session, Tuesday Evening, March 25th 


CHARLES LEVACHEZ 


Celebrated French engraver in aquatint. Work in the latter part of the 
Eighteenth Century. 


LEVACHEZ, CHARLES 


110. NaApoLeoN Bonaparte. Aquatint, printed in colors. 
Robert Lefévre, Pinxit.—DLevachez, Sculpsit. Vrry Goop ImprEs- 
SION, with the inscription. 


A very scarce portrait printed during the “Hundred Days” and distributed in 
England. Levachez, afraid of the return of the Bourbons, reversed his name 
in signing the plate. 


LEVACHEZ, CHARLES 


tir. NApoLEON PREMIER EMPEREUR’DES FrANGcAIS, Roi d'Italie et Protec- 
teur de la Confédération du Rhin. Aquatint, printed in colors. 

Carle Vernet del.,—Levachez, sculp., Auber, ex., Published in Paris. 

Frne Impression, with inscription. Remargined and rebacked. 


A. LUDOVICI 
Contemporary English artist, pupil of Whistler. 


BUDO VICI, A. 
I1t1A. THE Beacu. Watercolor. 


G. MAILE 


MAILE, G. 
112. Herena, THE Seconp Wire or Rusens. Mezzotint, printed in colors. 
Rubens, pinxt,—Goubaud, delt..—G. Maile, sculpt. Good impres- 
sion, surface rubbed and repaired, margins trimmed inside plate- 
mark. 


MAILE, G. 


113. Wuinpsor Castre. Stipple, printed in brown and sepia. 
Drawn by I. Barrow,—Engraved by G. Maile,—London, Published 
June ist, 1821, by I. Barrow, Weston Place, St. Pancras. Good 
impression, with inscription. Margins trimmed inside plate-mark. 


MISS E. E. MILNER 


Modern English mezzotint engraver. 


MILNER, MISS E. E. 


114. Epwarp, Lorp Darniry. Mezzotint, printed in colors. 
After the painting by Hoppner. Signed Artist’s Proot; FINE 
ImpressIoN, in perfect condition. Edition limited to 250 Proofs. 


MILNER, MISS E.-E. 
115. Master TroMAs BRADDYL. Mezzotint, printed in colors. 
After the painting by Reynolds. Signed Artist’s Proof. FINE 
ImprEssION, in perfect condition. Edition limited to 375 proofs. 


Kindly read Conditions of Sale in forepart of Catalogue 
RS Nea SEARLES REE SELES 


MILNER, MISS E. E. 
116. Str Ronatp Fercuson, G. C. B. Mezgzotint, printed in colors: 
After the painting by Raeburn. Signed Artist’s:.Proof. Fine 
IMPRESSION, in perfect condition. Ps 


GEORGE MORLAND 


Celebrated English painter, born in London in 17263° died there in 1804. 


MORLAND, GEORGE ist : 
117. A VisIT TO THE BOARDING ScHooL : A VisiT TO THE CHILD AT NursE. 
Drawings. . ; 

After the paintings by George Morland. Brautirut DrawINcs IN 
Water-CoLors AND INDIA WasH, in gouache manner. Original 
mounts, with small margins. Attributed to some unknown French 
artist of the Eighteenth Century. Framed in old English gilt 
frames, with Empire mounts. 

Together, 2 pieces (pair). 


MORLAND, GEORGE 
118. CHILDREN GATHERING BLAcK-Berrizs. Mezzotint, printed in colors 
amd touched by hand. 
Painted by G. Morland,—Engraved by P. Dawe,—London, Pub- 
lished Dec. 20th, 1788, by W. Dickinson. Fair impression, mar- 
gins rubbed and lower plate-mark cracked. 


MORLAND, GEORGE 
119. INSIDE oF A CountRY ALE House. Mezgzotint, printed in colors. 
Painted by G. Morland,—Engraved by W. Ward,—Published March 
I, 1797, by W. Ward, Delancey Place, Hampstead Road. Very 
Fine IMPRESSION, with inscription. Slight repair on surface at 
left side, otherwise in perfect condition. Small margins. 
[See Illustration] 


MORLAND, GEORGE 
120. L’ArricAIn Hospitavier. Stipple, printed in colors, and touched by 
hand. 
Painted by G. Morland,—Gravé par la Citne. Rollet. Fine Im- 
PRESSION, with the inscription, in perfect condition. 
From the F. R. Halsey collection. 


MORLAND, GEORGE 
121. PEASANT AND Pics. Megzgzotint. 
Painted by George Morland,—Engraved by J. R. Smith,—London, 
published by J. R. Smith, June ist, 1805. Good impression, with 
inscription. Margins trimmed to engraved surface. 


MORLAND, GEORGE 
122. SELLING THE CaLF: THE Stasie. Mezzotints, in colors. 
Engraved by Ward after the paintings by Morland. Good imp-es- 
sions, laid down and varnished. 
Together, 2 pieces (pair). 


First Session, Tuesday Evening, March 25th 


[No. 119] 


JEAN BAPTISTE MORRET 


Engraver who worked at the end of the XVIIIth century. His most 
celebrated plates are the Coffee House and Napoleon’s Portrait. 


Monee), JEAN BAPTISTE 
123. CAFFEE [sic] pEs Patriotes—A Patriot’s Corree House. Engrav- 
ing in gouache-manner, printed in colors. 
Portalis et Beraldi, III, p. 207. Aiter J. F. J. Swebach des Fon- 
taines. First state, with Morret’s address and before the “bonnets 
a poil” of the two soldiers to the left were replaced by a helmet 
and a phrygian cap respectively. Very Fine Impression. With 
large margin lacking the plate-mark. Slight repairs in the lower 
margin. 


The Café des Patriotes was a famous political resort in 1792 situated in the Rue 
Saint Honore near the Avenue de l’Opera of today. 


PETER NEWELL 


American illustrator. 


miWweLL, PETER 
124. THe CARPENTER AND THE WALRUuS. Drawing. 
Original wash drawing in watercolors. Signed in lower left cor- 
ner,—Peter Newell. Framed in gold. 


Kindly read Conditions of Sale in forepart of Catalogue 


NOEL LE JEUNE 


NOEL LE JEUNE 
125. GUILLAUME TELL. Stipple Engravings, printed in colors, and touched 
with brush. 

Dessine par Chasselat,—Grave par Noel Jne. Set of four com- 
positions,—Tell shooting the Apple from his son’s head; Gessler 
sending Tell to Prison; Tell escaping from Gessler’s soldiers; 
Tell kills the tyrant Gessler. Good impressions, stained and re- 
paired. 

Together, 4 pieces. (set). 


REVEREND MATTHEW WILLIAM PETERS 
Celebrated English painter who died in 1814. 


PETERS, REVEREND- MATTHEW WILEIAM 


126. SopHiIA. Stipple. 
Painted by the Revd. Mr. Peters R. A.—Engraved by Jas. Hogg. 
FINE IMPRESSION, printed in brown ink, with inscription. Small 
margins, 


ROBERT POLLARD 
Celebrated English painter, born in 1755; died in 1838. 


POLLARD, ROBERT 


127. EUPHROSYNE: THALIA. Megzotints, printed in colors. 
London, Published May Ist, 1787, by R. Pollard. Vrry Goon Im- 
PRESSIONS, with inscription, slightly stained and one repaired. 
Together, 2 pieces. 


POLLARD, ROBERT 


128. CoACHING SCENE. Aquatint, printed in colors. 
Engraved by Pollard. Fine Impression, margins trimmed to en- 
graved surface. Mounted on heavy board. 


NICOLAS FRANCOIS REGNAULT 


French engraver of the Eighteenth Century. 


REGNAULT, NICOLAS FRANCOIS 


129. Le Baiser A LA DEROBEE. Stipple. 
Gravé par N. F. Regnault d’aprés le Tableau d’H. Fragonard 
Peintre du Roi. Fine Impresston, with inscription. Surface 
slightly scratched, margins trimmed to plate-mark. 


SIR JOSHUA REYNOLDS 


Celebrated English portrait painter, born in 1723; died in 1792. 


REYNOLDS, -SIR- [Osis 
130. Fevina. Stipple, printed in colors. 
[Continued 


First Session, Tuesday Evening, March 25th 


Painted by Sir Joshua Reynolds, R. A..—Engraved by Joseph 
Collyer, A..—London, Published March Ist, 1790, by W. Dicken- 
son. Fine Impression, with full inscription. Margins trimmed 
to plate-mark. 


REYNOLDS, SIR JOSHUA 


131. THe Honovuraste Miss Bincuam. Stipple. 
Painted by Sir Joshua Reynolds,—Engraved by F. Bonnefoy,— 
London, Published Dec., 1786, by E. M. Diemar. Good impres- 

sion, with inscription, and small margins. 


MARCHIONESS OF HERTFORD. Stipple. 

Painted by Sir Joshua Reynolds,—Engraved by W. Nutter,—Lon- 
don, Published July, 1797, by R. Cribb. Good impression, with 
inscription, and large margins. 

Together, 2 pieces. 


SAMUEL WILLIAM REYNOLDS 


Celebrated English mezzotint engraver, born in 1773; died in 1835. 


REYNOLDS, SAMUEL WILLIAM 


132. Her Grace THE DucHess or Beprorp. Mezzotint. 
Painted by J. Hoppner, R. A.—Engraved by S. W. Reynolds,— 
Published by S. W. Reynolds, 47 Poland Street, London, 1803. 
Fine Impression, with inscription. Margins trimmed to plate- 
mark. 


LUCIUS ROSSI 
neool, LUCIUS 


133. L’InpiscreT: L’Orace: Les FemMMrEs Savantes: THE GREETING: 
On THE Hitusipe. Photogravures in colors. 
Peint par L. Rossi,—Photogravure Goupil & Cie. Fine Prints, 
in perfect condition. Also two figure pieces, after Madrazo; 
[and] When the Heart is Young, after Goodman. 
Together, 8 pieces. 


THOMAS ROWLANDSON 


Celebrated caricaturist and engraver. Born in London, in 1756; died 
there in 1827. 


ROWLANDSON, THOMAS 


134. Tue Toast. Etching and Aquatint, printed in. colors. 
Fine IMPRESSION, in perfect condition. Small margins. 


ROWLANDSON, THOMAS 


135. Vaux-Hati. Aquatint, printed in colors. 
Drawn by T. Rowlandson,—Aquatinto by F. Jukes,—Engraved by 
R. Pollard,—London, Published June, 1785, by J. R. Smith, No. 83 
Oxford St. Verry Goop Impression, with inscription, in perfect 
condition. Small margins. 
[See Illustration] 


Kindly read Conditions of Sale in forepart of Catalogue 


[No. 135] 


THOMAS RYDER 


‘English stipple engraver, born in 1746. 


RYDER, THOMAS 
136. YoutH : Love. Stipple Engravings. 

O. Humphry and R. Cosway, delt., T. Ryder, sculpt. Fine In- 
PRESSIONS, with inscriptions. Also engraving, portrait of a 
(Little Girl, with Bird), marked Sketched by Humphry and 
Spoiled by Gillray, with the following inscription,—Dedicated to 
all Lovers of your bold masterly touches, and Published Nov. rst, 
1781, by J. Gillray, to show the bad effect of Cobbling & Altering, 
—"“Fool that I was, thus to Cobble my Shoe.’ 

Together, 3 pieces. 


LOUIS SAILLIAR 


French engraver, born in Paris 1748; died in London in 1795. 


BAILLIAR LOUIS 


137. WitiiAMm II oF Nassau. Stipple. 
After the painting by Honthurst,—L. Sailliar, sculpt..—Published 
in 1781. Fine Impression, with the inscription. Margins 
trimmed inside plate-mark. : 


First Session, Tuesday Evening, March 25th 


ROBERT SAYER 


SAYER, ROBERT. 


138. THE CONTEMPLATIVE CHARMER: SwEET EcHo. Mezzotints. 
London, Printed for Robert Sayer, July, 1786. Good impressions, 
with inscriptions. 
Together, 2 pieces. 


ANTOINE FRANCOIS SERGENT 


Well-known painter and engraver, brother-in-law of Generai Marceau; 
born in 1751; died in 1847. 


SERGENT, ANTOINE FRANCOIS 
139. Louis Hector, Duc pe Vitrars. Engraving in gouache manner, 
printed in colors. 
Baré, No. 242. By L. Roger. MacNniFicent Impression, with the 
letter. With large margin showing the plate-mark. 


JOHN KEYSE SHERWIN 


English engraver, born in 1751; died in 1790. 


SHERWIN, JOHN KEYSE 
140. THe Dance. Stipple. 
Designed and engraved by J. K. Sherwin. Very FINE IMpREssION, 
small margins trimmed inside plate-mark. 


PETER SIMON 


French engraver, born in 1769. 


SIMON, PETER 
141. SHAKSPEARE, (As you like it, Act V, Scene IV). Stipple, colored by 
hand. 
Painted by Wm. Hamilton—Engraved by Peter Simon—Published 
Sept. 29, 1791, by John Boydell. Good impression, slightly 
stained. 


JOHN RAPHAEL SMITH 


Celebrated English painter and engraver. Born in Derby in 1752; died 
miter: 


SMITH, JOHN RAPHAEL 
142. Tue Ricut Hon. Lavy ErizasetH Compton. Meszotint. 
J.C. Smith, No. 45. Fourth State of four. Painted by Wm. Peters, 
R. A.—Engraved by J. R. Smith. Very Goop IMpREssIoNn, 
in perfect condition. Large margins. 


SMITH, JOHN RAPHAEL 


143. A Visit To GRANDMOTHER. Mezzotint, colored by hand. 
Painted by J. Northcote——Engraved by J. R. Smith,—Published 
May, 1785, by J. R. Smith. Fair impression, with inscription. 


Kindly read Conditions of Sale in forepart of Catalogue 


SMITH, JOHN RAPHAEL 


144. SopHIA WESTERN. Mezzotint. 
Painted by J. Hoppner,—Engraved by J. R. Smith. Fine Impres- 
SION, with inscription. Margins trimmed inside plate-mark. 


SPORTING PRINT 


145. Fox Huntine Scene (The Death). Mezzotint, in colors. 
Fine old English hunting view. Laid down and varnished. 


JOSEPH C. STADLER 


German engraver who worked in London from 1780 to 1812. 


STADLER, JOSEPH C. 


146. A View or THE Horse Guarps, FROM WHITEHALL. Aquatint, printed 
in colors. 
T. H. Shepherd, delt.—J. C. Stadler, sculpt. Fixe Impression, 
with inscription, in perfect condition. Margins trimmed to plate- 
mark. 


THOMAS STOTHARD 
Celebrated English painter, born in London in 1755; died in 1834. 


SLOLTHARDATHOMAS 


147. Run Away Love. Stipple. 
T. Stothard, pinxt..—C. Knight, sculpt. Frne Impression, with 
inscription. Margins trimmed inside plate-mark. 


SINGLETON, H. 


Love RetTurNED. Stipple. 
H. Singleton, pinxt.—W. Bond: sculpt. Frne Impression, with 
inscription. Margins trimmed inside plate-mark. 
Together, 2 Ba (pair). 


PIERRE ALEXANDRE TARDIEU 


French engraver, born in 1756; died in 1844. 


TARDIEU, PIERRE ALEXANDRE 


148. L’Espoir pu Retour. Etching finished with the graver. 
Portalis et Beraldi, III, p. 587. After Kimli. Proof before letter 
with the artists’ names only. With large margin. 


PELTRO WILLIAM TOMKINS 


Celebrated English stipple engraver, pupil of Bartolozzi, born in 1760; 
died in 1840. 


TOMKINS, PELTRO WILLIAM 


149. Hospinot & GANDERETTA. Stipple, printed in colors, 
T. Gainsborough, R.A., pinxt.—P. W. Tomkins, sculpt.—lLondon, 
Published Jan. 2oth, 1790, by T. Macklin. Fine Impresston, 
with inscription. Margins trimmed to plate-mark. 


First Session, Tuesday Evening, March 25th 


TOMKINS, PELTRO WILLIAM 


150. Hosppinot & GANDERETTA. Stipple. 
After the painting by Gainsborough,—Engraved by P. W. Tom- 
kins,—Published Jan. 20th, 1790. Fine Impression, with the 
inscription. Margins trimmed to plate-mark. 


WILLIAM WARD 


Celebrated English mezzotint engraver, born in 1766; died in 1826. 


WARD, WILLIAM 


1st. Ourtsipe oF A Country ALEHOoUSE. Mezzotint, printed in colors. 
Painted by J. Ward,—Engraved by W. Ward,—Published March 
ist, 1797, by W. Ward, Delancy Place, Hampstead Road. VeERy 
Fine Impression, with inscription. Surface scratched and re- 
paired, on left side and toward center. Small margins. 


WARD, WILLIAM 
152. THE Sotitoguy. Stipple. 
Painted by W. Ward,—Engraved by W. Ward,—London, Published 
Oct., 1787, by W. Dickinson. Frne Impression, with inscription. 
Small margins. 


BENJAMIN WEST 


Celebrated American painter, born in Pennsylvania in 1738; died in 1820. 


WEST, BENJAMIN 
153. Mr. West AND Famity. Stipple, printed in colors. 

Painted by Benj. West,—Engraved by Grant,—London, Published 
as the act Dircts. by Smith in Oxford St. Very Briti1ant Proor, 
with inscription, in perfect condition. Margins trimmed to plate- 
mark. 


FRANCIS WHEATLEY 


Celebrated English painter, born in 1747; died in 18or. 


WHEATLEY, FRANCIS 
1s4. THE FisHeRMAN GoINnG Out. Stipple Engraving. 
F. Wheatley, R.A., pinxt..—J. Barney, sculpt..—London, Published 
by Thos. Macklin Poets Gallery, Fleet Ste Marcha ith 763: 
Fine Impression, with inscription. Margins trimmed to plate- 
mark. 


WHEATLEY, FRANCIS 


155. Rustic EMpLoyMENT : THE Happy FamiIty. Stipples, printed in 
colors. 
Wheatley, pinxt..—Thouvenin, sculpt..—London, Published by 
Tassari & Co., Pall Mall. Fine Impressions, with inscriptions. 
Margins trimmed to plate-mark. 
Together, 2 pieces (pair). 


Kindly read Conditions of Sale in forepart of Catalogue 
eee EE 


WHEATLEY, FRANCIS 


156. THE Swine. Stipple, printed in colors. 


After the painting by Wheatley,—Engraved by Thouvenin. FIne 
Impression. Margins trimmed to engraved surface. 


WHEATLEY, FRANCIS 


157. THE Cries oF Lonvon. Stipples, printed in colors. 
Set of thirteen plates, engraved by Schiavonetti, Cardon, Vendra- 
mini and Gaugain. Modern impressions, with inscriptions. 


Framed in ebony and gold frames, with black and gold mounts. 
Together, 13 pieces. | 


JOHN YOUNG 


Celebrated English mezzotint engraver, born in 1755; died in 1825. 


YOUNG, JOHN 


158. Inrant Vanity. Meszzotint, printed in colors. . | 
Painted by John Hoppner,—Engraved by John Young,—Published 
March Ist, 1789, by Walker & Lynam, London. Berautirut Ricu 

Proor, with inscription. In perfect condition. Small margins. 


no “KD 


— 


Second Session, Numbers 159 to 329, inclusive 


WEDNESDAY EVENING, MARCH 26TH, AT 8:15 O’CLOCK 


LOREN R. BARTON 
Contemporary American etcher. 


BARTON, LOREN R. 


159. CHINATOWN Market, SAN FRANCISCO. Etching. 
Signed in pencil,—Loren Barton. Fine Impression, on Japan paper, 
in perfect condition. 


HANS SEBALD BEHAM 


Born in Nuremburg in 1500; died in Frankfort in 1550. 


BEHAM, HANS SEBALD 


160. St. BarTHOLOMAUs. Engraving. 
Bartsch, No. 48. Signed in the plate, with the monogram, ASB. 
Frne Impression, upper right corner, repaired outside plate-mark, 
otherwise in perfect condition. 


BEHAM, HANS SEBALD 


161. L’ALtpHABET Romain. Engraving. 
Bartsch, No. 229. Signed in the plate, with the monogram, HS 
Fine IMPRESSION, in perfect condition. 


BEHAM, HANS SEBALD 


162. THr PENITENCE OF SAINT JoHN Curysostom. Engraving. 
Bartsch, No. 245. Good impression, in perfect condition. 
From the Davidsohn collection. 


EUGENE BEJOT 


Contemporary French etcher, born in Paris in 1865. 


BEJOT, EUGENE 
163. Dinarp. Etching. 


Signed in pencil,—Eug. Bejot. Fine IMPRESSION, in perfect condi- 
tion. 


BEJOT, EUGENE 
164. La GRANDE Porte St. Maro. Etching. 


Signed in pencil,—Eug. Bejot. Fine IMPRESSION, in perfect condi- 
tion. 


Kindly read Conditions of Sale in forepart of Catalogue 


BEJOT, EUGENE 
165. St. SERvEIN. Etching. 


Signed in pencil,—Eug. Bejot. Fine Impression, in perfect condi- 
tion. 


[No. 171] 
GEORGE BELLOWS 


Celebrated American painter and lithographer. 


BELLOWS, GEORGE 


1654. Murpder or EpitH Cavett: Artists’ Eveninc. Lithographs. 
Signed proofs. 
Together, 2 pieces. 


Second Session, Wednesday Evening, March 26th 


FRANK W. BENSON 


Contemporary American etcher, 


BENSON, FRANK W. 
166. Wiip Geese Restinc. Drypoint. 


Paff, No. 56. Signed in pencil,—Frank W. Benson, 23/75. VERY 
Fine IMPRESSION, in perfect condition. 


BENSON, FRANK W. 
167. YELLOowLEGS No. 2. Drypoint. 


Paff, No. 162. Signed in pencil—Frank W. Benson. Very FINE 
IMPRESSION, On Japan paper, in perfect condition. 


BENSON, FRANK W. 
168. BLACKBIRDS AND RusHEs. Drypoint. 


Paff, No. 170. Signed in pencil—Frank W. Benson. Supers Im- 
PRESSION, on Japan paper, in perfect condition. 


BENSON, FRANK W. 
169. Rrpprinc Water. Etching. 


Paff, No. 174. Signed in pencil,—Frank WV. Benson. Fine Impres- 
SION, in perfect condition. 


WILLIAM BLAKE 


Celebrated English painter and engraver, born in London, in 1757; 
died in 1827. 


BLAKE, WILLIAM 


170. Jos AND His Daucuters. Drawing. 
Fine original water-color drawing, in perfect condition. Together 


with engraving of same subject and frontispiece to “The Book 
Gite |ob:” 
Together, 3 pieces. 


MUIRHEAD BONE 


Contemporary Scotch etcher, born in 1876, near Glasgow; living in 
London. : 


BONE, MUIRHEAD 


171. DEMOLITION oF St. James Hatt, InteERIoR. Drypoint. 
Dodgson, No. 196. Signed in pencil,—Muirhead Bone. VeERy FINE 
IMPRESSION, On Japan paper, in perfect condition. 
[See Illustration] 


BONE, MUIRHEAD 


172, Liperty Crock. Drypoint. 
Not described in Dodgson. Signed in pencil,—Muirhead Bone, FINE 


IMPRESSION, on Japan paper. Margins around plate-mark slightly 
rubbed. 


Kindly read Conditions of Sale in forepart of Catalogue 
eee ee 


BONE, MUIRHEAD 


173. THE FISHMARKET, VENICE. Drypoint. 
Signed in pencil,—Muirhead Bone. FInE IMPRESSION, on Japan 


paper, in perfect condition. 


BONE, MUIRHEAD 


174. THE SOLENT. Drypoint. 
Not described in Dodgson. Signed in pencil,—Muirhead Bone. FINE 


IMPRESSION, on Japan paper, in perfect condition. 


BONE, MUIRHEAD 


175; On THe CLlypE1917-18. Lithographs. 
Set of six original lithographs, signed in pencil,— Muirhead Bone. 


Fine Impressions, on heavy Japan paper, in perfect condition. 
In original folder. 
Together, 6 pieces and folder (set). 


BONE, MUIRHEAD 


176. SHEPHERDS BusH. Drawing. 
Original and characteristic study, done in pen-and-ink, signed in 


lower right corner,—M. Bone. 


FELIX BRACQUEMOND 


Modern French etcher. 


BRACQUEMOND, FELIX 


177. GEESE IN A Storm. Etching. 
Signed in pencil,—Bracquemond. FINE IMPRESSION, in perfect con- 


dition. 


BRACQUEMOND, FELIX 


178. LAPWING AND TEAL. Etching. 
Signed in pencil,—Bracquemond. Fine IMPRESSION, on Green paper, 


in perfect condition. 


BRACQUEMOND, FELIX 


179. Treat. Etching. 
Signed in pencil,—Bracquemond. Fine IMPRESSION, on Green paper, 


in perfect condition. 


FRANK BRANGWYN 


Contemporary English painter and etcher, born in London in 1867, © 


BRANGWYN, FRANK 


180, Market Furnes. Etching. 
Signed in pencil,—Frank Brangwyn. Fine IMPRESSION, in perfect 


condition. 


Second Session, Wednesday Evening, March 26th 


Seles 


RES PSS 


& 


Ras 


ey 


= 


SE 


NOVG Od ANUAAV, 
DLOHNA XVI 


Kindly read Conditions of Sale in forepart of Catalogue 
ee 


FELIX BUHOT 
Celebrated French etcher, born at Valognes, 1847; died in Paris, 18098. 


BUHOT, FELIX 
181. Un Grain A Trovuvitte. Etching. 
Bourcard, No, 122. First State of four. Signed in the plate,—Buhot 
(in reverse). Fine Impression, in perfect condition. 


BUHOT, FELIX 
182. L’Hiver A Paris ou LA Neice A Paris. Etching and Aquatint. 
Bourcard, No, 128. Second State of five. Signed in the plate,— 
Felix Buhot. Fine Impression, on Dutch paper, in perfect con- 
dition. 


BUHOT, FELIX 
183. L’Hiver A Parts ou ra Neice A Paris. Etching and Aquatint. 
Bourcard, No, 128. Third State of five. Signed in the plate,— 
Felix Buhot. Very Fine Impression, on Dutch paper, in perfect 
condition. 


BUHOT, FELIX 
184. La TRaversée. Etching and Aquatint. 
Bourcard, No. 143. Second State of two. Signed with the red 
Owl stamp. Very Fine Impression, on Japan paper, in perfect 
condition. 


BUHOT, FELIX 
185. La DaME Aux Cyenes. Etching. 
Bourcard, No, 144. Signed in the plate, and with the red Owl stamp. 
FINE ImpREsSION, in perfect condition. 


BUHOT, FELIX 
186. Crock Tower, WESTMINSTER. Etching and Drypoint. 
Bourcard, No. 156. Fourth State of six. Very Fine Earty In- 
PRESSION, on Dutch paper, in perfect condition. 


BUHOT, FELIX 
187. Le Hisov. Etching. 
Bourcard, No. 161, Fine Earty Impression, on Japan paper, in 
perfect condition. 


BUHOT, FELIX 
188, TAvERNE pu Bacne. Etching and Drypoint. 
Bourcard, No. 163. Signed in the plate-—Felix Buhot, and with the 
red Owl stamp. Very Fine Impressron, on Dutch paper, in per- 
fect condition. 


[See Illustration] 


BUHOT, FELIX 
189. Les O1rs. Etching and Aquatint. 
Bourcard, No. 166. Early Trial Proof. Very Fine IMPRESSION, 
on French paper, in perfect condition. 


Second Session, Wednesday Evening, March 26th 


DAVID YOUNG CAMERON 


Celebrated English painter-etcher, born in Glasgow in 186s. 


CAMERON, DAVID YOUNG 
190. A VENETIAN CONVENT. Fitching. 
Rinder, No. 207. Only State. Signed in pencil_—D. Y. Cameron. 
VerRY FINE IMPRESSION, in perfect condition. Framed. 


CAMERON, DAVID YOUNG 
191. MitEestones : ON THE Wye aT Happon. Etchings. 
Rinder, Nos. 249 and 350. Signed in the plate-—D. Y. Cameron. 
Good impressions. 
Together, 2 pieces. 


CAMERON, DAVID YOUNG 
192. Montivittiers. Etching and Drypoint. 


Rinder, No. 355. Third State of three. Signed in pencil,—D. Y. 
Cameron. VERY FINE IMPRESSION, in perfect condition. 


CAMERON, DAVID YOUNG 
193. Oxp Bripce, WuHitBy. Drypoint. ; 
hinder, No. 403. Vhird State of three. Signed in pencil,—D. Y. 
Cameron. VERY FINE IMPRESSION, on Japan paper, in perfect 
condition. Twenty-one proofs in all three States. 


CAMERON, DAVID YOUNG 
194. ARRAN Peaks. Drypoint. 
Not described in Rinder. Second State of two, the plate cut down. 


Signed in pencil,—D. Y. Cameron. FINE Impression, on French 
paper, in perfect condition. 


CAMERON, DAVID YOUNG 
195. KerRRERA, No. 2. Drypoint. 
Not described in Rinder. Signed in pencil,—D. Y. Cameron. Fine 
IMPRESSION, on Japan paper, in perfect condition. 


CAMERON, DAVID YOUNG 


196. St. A1icnon. Etching and Drypoint. 
Not described in Rinder. Signed in pencil,—D. Y. Cameron. Very 
FINE IMPRESSION, on Japan paper, has small hole in sky, otherwise 
in perfect condition. 


KATE CAMERON 


Contemporary English etcher. 


CAMERON, KATE 


197. GRAss OF Parnassus. Etching. 
Signed in pencil—K. Cameron. BrAuTIFUL IMPRESSION, on Japan 
paper, in perfect condition. 


Kindly read Conditions of Sale in forepart of Catalogue 


CANALETTO 


Venetian painter, born in 1697; died in’ 1768. 


CANALETTO 


197A. Martson.A L’INscripTion. Etching. 
FINE IMPRESSION, with good margins. 


MARY CASSATT 


Celebrated American painter and etcher, born at Pittsburgh, 1845; lives 
in Paris. 


CASSA LE NAR Y 


198. WomMAN Piayinc MANbDotin. Drypotnt. 
Very Fine Impression, on Greenish paper, stamped in lower right 
corner, with Artist personal monogram stamp. 


ROLAND CLARK 


Contemporary American etcher. 


CLARK, ROLAND 


199. Broap Britt Droppine In. Etching. 
Signed in pencil_—Roland Clark. F1INe ImpREssIon, on Japan paper, 
in perfect condition. Edition limited to 66 impressions. 


CLARK ROLAND 


200. Jacks. Drypoint. 
Signed in pencil—Roland Clark. Fine Impression, on Japan paper, 
in perfect condition. Edition limited to 70 impressions. 


CLARK, ROLAND 
201. SeveEN A.M. Drypoint. 
Signed in pencil,—Roland Clark. Fine Impression, in perfect con- 
dition. Edition limited to 75 impressions, 


CLARK, ROLAND 
202. WiLp Geese. Drypoint. 
Signed in pencil,—Roland Clark. FINE ImpREssION, in perfect con- 
dition. Edition limited to 75 impressions. 


TIMOTHY COLE 


Contemporary American wood engraver. 


(OLE, CIMOTia 


203. LanpscaPe. Wood-engraving. 
After the painting by J. Francis Murphy. Signed Artist’s ona 
Also, Landscape etching by J. L. Harlow, and lithograph, by 
Whistler. All framed. 
Together, 3 pieces. 


Second Session, Wednesday Evening, March 26th 


JEAN BAPTISTE CAMILLE COROT 


Celebrated French painter and etcher, born at Paris in 1796; died in 1875. 


2ORO THAN BAPTISTE CAMILLE 
204. SOUVENIR D’ ITaLty. Etching. 
Delteil, No. 5. Third State of three. Fine Impression, in perfect 
condition. 


CORO ea. BAPTISTE CAMILLE 
205. ENvirons DE Rome. Etching. 
Delieil, No. 6. Third State of three. Signed in the plate,—Corot. 
FINE IMPRESSION, in perfect condition. 


ALBRECHT DURER 


Celebrated German engraver, born at Niirnberg in 1471; died there 
in Ts20. 


DURER, ALBRECHT 
206. Curist oN Mount oF Otives. Etching. 
Bartsch, No. 19. Signed and dated in the plate,——AD, 1515. Good 
impression, repaired along margins. , 
From the Hoffman collection. 


DURER, ALBRECHT 


207. THE PropicaL Son. Engraving. 
Bartsch, No. 28. Signed in the plate, with the monogram AD. 
Good impression, slightly skinned at back in three places behind 
trees, and few stains. 
Duplicate from the Budapest Museum, and from the Elischer, and Artaria 
collections, 


DURER-ALBRECHT 
208. THE VIRGIN WITH CROWN OF STARS, STANDING UPoN A CRESCENT. 
Engraving. 
Bartsch, No. 31. Signed in the plate, with the monogram,—AD. 
1508. Good impression, small tear in left side repaired. 
From the Samuel Sybolt collection. 


DURER, ALBRECHT 


209. THE VIRGIN CROWNED By Two ANGELS. Engraving. 
Bartsch, No. 39. Signed in the plate, with the monogram,—AD. 
1518, Fine Impression, in perfect condition. 


DURER, ALBRECHT 
210. THE VIRGIN SEATED OUTSIDE THE CiTY WaLL. Engraving. 
Bartsch, No. 40. Signed in the plate, with the monogram,—AD. 
1514. Good impression, small tear at top repaired, and weak spot 
on right margin. 


Kindly read Conditions of Sale in forepart of Catalogue 


DURER, ALBRECHT 
211. St. JEROME IN His Cetr. Engraving. 
Bartsch, No, 60. Signed in the plate, with the monogram,—AD. 
1514. Good impression, in good condition. 


DURER, ALBRECHT 
212, THE SATYR Famity. Engraving. 
Bartsch, No. 69. Signed in the plate, with the monogram,—AD. 
1505. Fine Impresstion, slightly stained. 
From the Baldinger collection. 


DURER, ALBRECHT 


213. THe Litre Courter. Engraving. 
Bartsch, No. 80. Signed in the plate, with the monogram,—AD. 
Fine Impression, slightly skinned at back on left margin. 


DURER, ALBRECHT 


214. THE STANDARD BEARER. Engraving. 
Bartsch, No. 87. Signed in the plate, with the monogram,—AD. 


FINE IMPRESSION, upper corners, repaired. 
From the E. Levy collection. 


DURER, ALBRECHT 
215. THE PRoMENADE. Engraving. 
Bartsch, No. 94. Signed in the plate, with the monogram,—AD. 
Good impression, in good condition. 


DURER, ALBRECHT 
216. CoAT oF ARMS WITH A SKULL. Engraving. 
Bartsch, No. ror. Signed in the plate, with the monogram,—AD. 
Good impression, in good condition. 


DURER, ALBRECHT 
217. ALBERT OF BRANDENBURG. Engraving. 


Bartsch, No. 103. Signed in the plate, with the monogram,—AD. 
Good impression, in good condition. 


DURER, ALBRECHT 
218. Puitip MeLaNcHTHoNn. Engraving. 
Bartsch, No. 105. Signed in the plate, with the monogram,—AD. 
Good impression, in good condition. 


DURER, ALBRECHT 
219. THE ENTOMBMENT. Woodcut. 
Bartsch, No. 13. Signed in the block, with the monogram,—AD. 
Good impression, with text at back. 
Duplicate from the Museum of Fine Arts, Boston. 


DURER, ALBRECHT 
220. THE Four Rivers oF THE APOCALYPSE. Woodcut. . 
Bartsch, No. 64. Signed in the block, with the’ monogram,—AD. 
Good impression, with text at back, in perfect condition. 


Second Session, Wednesday Evening, March 26th 


DURER, ALBRECHT 


221. ST. JEROME IN His Ceti. Woodcut. 
Bartsch, No. 114. Signed and dated in the block,—AD. 1511. Good 
impression, in good condition. 
Duplicate from the Museum of Fine Arts, Boston. 


DURER, ALBRECHT 


222. BEHEADING OF ST. JoHN. Woodcut. 
Bartsch, No. 125. Signed in the block, with the monogram,—AD, 
7510. Fine Earty Impression, in perfect condition. 


DURER, ALBRECHT 
223. Heropias Recretvinc HEAD or JOHN THE Baptist. Woodcut. 
Bartsch, No. 126. Signed in the block, with the monogram,—AD, 
I5TI. FINE IMPRESSION, on paper, with the “High Crown.” 
Slightly stained. 


DURER, ALBRECHT 


224. St. THoMAS AND Curist. Woodcut. 
Signed in the block with the monogram,—AD. Good impression, 


repaired. Framed. 


HEDLEY FITTON 


Contemporary English etcher. 


PEevONe HEDLEY 


225. Dumrrigs. Etching. 
Signed in pencil—Hedley Fitton. Fine Impression, in perfect 
condition. 


SEARS GALLAGHER 


Contemporary American etcher. 


GAeECAGHER, SEARS 


226. CHRISTIAN SCIENCE CHuRCH. Etching. 
Signed in pencil—Sears Gallagher. Good impression, © slightly 
rubbed. 


GALLAGHER, SEARS 


227, THE VILLAGE CENsor. Etching. 
Signed in pencil,—Sears Gallagher. Fine Impression, in perfect 


condition. 


GALLAGHER, SEARS 


228. Toi. Etching. 
Signed in pencil,—Sears Gallagher. Fine Impression, in perfect 
- condition. 


Kindly read Conditions of Sale in forepart of Catalogue 
eS eles ERIE 


GALLAGHER, SEARS 


229. UNDER THE Bripce. Etching. 
Signed in pencil—Sears Gallagher. Fine Impression, on Japan 
paper, in perfect condition. 


PERCIVAL GASKELL 


Contemporary English etcher. 


GASKELL, PERCIVAL 


230. A THames Backwater, Earty Mornine. Mezzotine. 
Signed in pencil_—Percival Gaskell. Fine Impression, on India 
paper, in perfect condition. 


R. SWAIN GIFFORD 


Modern American painter and etcher. 


GIFFORD, R. SWAIN 
231. NEAR THE Coast. Etching. 
Signed Artist’s Proof. Fine Impression. Also Etchings, Morning 
on the St. Johns, by Thomas Moran, and Chichester Canal, by 
A. Gaucherel. 
Together, 3 pieces. 


SIR FRANCIS SEYMOUR HADEN 


Celebrated English etcher, born in London September, 1818; died in 1910. 


HADEN, SIR FRANCIS SEYMOUR 
232. KENSINGTON GARDENS (Small Plate). Eéching. 
Harrington, No. 12. Third State of three. Signed in the plate,— 
Seymour Haden. Good impression, in perfect condition. 


HADEN, SIR FRANCIS SEYMOUR 
233. Ecuam Lock. Etching. 
Harrington, No. 16. First Published State of three. Signed in the 
plate,—Seymour Haden. Frne Impression, in perfect condition. 


HADEN, SIR FRANCIS SEYMOUR 
234. ON THE Test. Etching and Drypoint. 
Harrington, No. 20. Only Published State. Signed in pencil,— 
Seymour Haden. Good impression, in perfect condition. 


HADEN, SIR FRANCIS SEYMOUR 
235. KernsincTron GarpvENs (Large Plate). Etching. | | 
Harrington, No. 28. Second Published State of two. Signed in the 
plate-—Seymour Haden. Very Fine Impression, on India paper, 
in perfect condition. 


Second Session, Wednesday Evening, March 26th 


[No. 239] 


HADEN, SIR FRANCIS SEYMOUR 
236. SHERE Mitt Ponp (Small Plate). Etching. 

Harrington, No. 37. Only Published State. Signed in pencil,— 
Seymour Haden. Fine Impression, has small rust mark by sig- 
nature, otherwise in perfect condition. Framed. 

From the Bullivant collection. 


HADEN, SIR FRANCIS SEYMOUR 


237. AMSTELODAMUM. Etching. 
Harrington, No. 43. Second State of two. Signed in pencil,— 
Seymour Haden. Fine Impression, in perfect condition. 


HADEN, SIK FRANCIS SEYMOUR 


238. A River’s Bank. Etching. 
Harrington, No. 49. Second State of two. Signed in the plate,— 
Seymour Haden. Good impression, on India paper. 


HADEN) SIR FRANCIS SEYMOUR 

239. SUNSET IN IRELAND. Drypoint. 
Harrington, No. 51. Second Published State of two. Signed in 
pencil— Seymour Haden. Very Fine Impression, on French. 

paper, in perfect condition. 


[See Illustration] 


Kindly read Conditions of Sale in forepart of Catalogue 


HADEN, SIR FRANCIS SEYMOUR 
240. BaATTERSEA REAcH. Etching. 
Harrington, No. 52. First Published State of two. Signed in the 
plate,—S. Haden. Fine Impression, in perfect condition. 


HADEN, SIR FRANCIS SEYMOUR 
241, NEWCASTLE IN EMtyn. Etching. 
Harrington, No. 62. Only Published State. Signed in pencil,— 
Seymour Haden. Fine Impression, in perfect condition. 


From the Lotz-Brissonneau collection. 


HADEN, SIR FRANCIS SEYMOUR 


242. NEWCASTLE IN EMtyn. Etching. 
Harrington, No. 62. Only Published State. Signed in pencil,— 
Seymour Haden. Fine Impression, in perfect condition. 


HADEN, SIR FRANCIS SEYMOUR 


243. House oF THE SmitH. Etching. 
Harrington, No. 63. Second Published State of two. Signed in 
pencil,—Seymour Haden. Fine Impression, in perfect condition. 


From the Beurdeley collection. 
HADEN, SIR FRANCIS SEYMOUR 


244. CARDIGAN Bripce. Etching. 
Harrington, No. 67. Second Published State of two. Fine Im- 
PRESSION, in perfect condition. 


HADEN, SIR FRANCIS SEYMOUR 
245. Penton Hoox. Etching. 
Harrington, No. 70. Only Published State. Fine Impressron, on 
Japan paper, margins slightly rubbed. 
From the Seymour Haden, Jr., collection. 


HADEN, SIR FRANCIS SEYMOUR 
245A. THAMES DITTON WITH A SAIL. Etching. 
Harrington, No. 73. First Published State of two. Very Fine 
IMPRESSION, margins trimmed to plate-mark, and few small stains. 


HADEN, SIR FRANCIS SEYMOUR 

246. Raitway ENCROACHMENT. Etching. 
Harrington, No. 74. Only Published State. Signed in pencil,— 
Seymour Haden. Very Frne Impression, in perfect condition. 


THHADEN, SIR FRANCIS SEYMOUR 
247. RAILWAY ENCROACHMENT. Etching. 
Harrington, No. 74. Only Published State. Signed in the plate — 
Kew, 1864. Finer Impression, in perfect condition. 


Second Session, Wednesday Evening, March 26th 
ne ee ee 


HADEN, SIR FRANCIS SEYMOUR 
248. TWICKENHAM CuHurRCH. Etching. 
Harrington, No. 107. Only Published State. Signed in the plate,— 
S. Haden, 1861. Fixe Impression, in perfect condition. 


HADEN, SIR FRANCIS SEYMOUR 
249. A RiversipE, Devon. Etching. 

Harrington, No. 130. Only Published State. Signed in pencil,— 
Seymour Haden. Fine Earty IMPRESSION, on Dutch paper, in 
perfect condition. 

From the Seymour Haden, Jr., collection. 


HADEN, SIR FRANCIS SEYMOUR 
250. Two SHEEP. Etching. 
Harrington, No. 144. Only Published State. Signed in pencil,— 
Seymour Haden. Good impression, slightly stained. 


HADEN, SIR FRANCIS SEYMOUR 
251. WinpmiLt Hitt No. 2. Drypoint. 
Harrington, No. 164. Second State of two. Signed in pencil,— 
Seymour Haden. Very FINE IMPRESSION, on French paper, in 
perfect condition. 


HADEN, SIR FRANCIS SEYMOUR 
252, WinpMiLu Hitt, No. 2. Drypoint. ee 
Harrington, No. 164. Second State of two. Signed in the plate, 
Seymour Haden. Fine Earty Proor, on old French paper, in 
perfect condition. Framed. 
From the Seymour Haden, Jr., collection. 


HADEN, SIR FRANCIS SEYMOUR 


253. Ye ComMpLeTe ANGLER. Etching. 
Harrington, No. 166. Only Published State. Signed in pencil,— 
Seymour Haden. Fine IMpREssION, on Japan paper, in perfect 
condition. : 


HADEN, SIR FRANCIS SEYMOUR 
254. Newton Manor. Drypoint. 


ty. Harrington, No. 174. Only Published State. Signed in pencil,— 
Seymour Haden. Fine IMPRESSION, on French paper, slightly 
stained. 


HADEN, SIR FRANCIS SEYMOUR 
2ss. CHattow Farm. Drypoint. 
Harrington, No. 175. Only Published State. Signed in pencil,— 
Seymour Haden. Good impression, perfect condition. 


HADEN, SIR FRANCIS SEYMOUR 
256. Cuattow Farm. Drypoint. 
Harrington, No. 175. Only Published State. Signed in pencil,— 
Seymour Haden. BrautiruL IMPRESSION, on old French paper, 
in perfect condition. Framed. 


Kindly read Conditions of Sale in forepart of Catalogue 


HADEN, SIR FRANCIS SEYMOUR 
257. Tue Litrte Boat House. Drypoint. 
Harrington, No. 177. First Published State of three. Signed in 
pencil,—Seyvmour Haden. Very Fine Impression, in perfect con- 
dition. 


HADEN, SIR FRANCIS SEYMOUR 
258. HaArLecH CastLe. Megzotint. 
Harrington, No. 212. Only Published State. Signed in pencil,— 
Seymour Haden. Fine Impression, in perfect condition. 


HADEN, SIR FRANCIS SEYMOUR 
259. THE Four Cows. Etching. 
Harrington, No. 223. Trial Proof A. Signed in pencil,— Seymour 
Haden. Very Frne Impression, on French paper, in perfect con- 
dition. , 


HADEN, SIR FRANCIS SEYMOUR 


260. SALMON River. Mezzotint. 
Harrington, No. 226. First State of two. Signed in pencil,— 
_ Seymour Haden. Fine Impression, in perfect condition. 


HADEN, SIR FRANCIS SEYMOUR 
261. THe Littte Lone Parrisn. Drypoint. 
Harrington, No. 236. Only State. Signed in pencil,— Seymour 
Haden. Very Fine Impression, on French paper, slightly 
stained. 


HADEN, SIR FRANCIS SEYMOUR 


262. GRAYLING FisHinc. Mezzotint. 
Harrington, No. 241. Only Published State. Signed in pencil,— 
Seymour Haden. Fine Impression, in perfect condition. 


AXEL HERMAN HAIG 


Noted Swedish etcher, born on the Island of Gotland, in the Baltic. 


HAIG, AXEL HERMAN 
263. WINpbsor CastLe. Aquatint and Etching. 
Armstrong, No. 139. Signed Artist’s Proof. Also Lithograph, by 
Thomas R. Way, The Guild Hall, London, Signed Artist’s Proof. 
Together, 2 pieces. 


HAIG, AXEL HERMAN 
264. ToLepo CaTHEDRAL, INTERIOR. Etching and Aquatint. 
Armstrong, No. 66. Signed in pencil—A. H. Haig. Fine Im- 
PRESSION, On heavy Dutch paper. Edition limited to 350 proofs. 


HAIG, AXEL HERMAN , 
205. Portats or Ruerms CatHeprav. Etching. . 
Armstrong, No. 94. Signed in pencil,— A rel H. Haig. Very FINE 
IMPRESSION, on Japan paper. Edition limited to 325 proofs. 


Second Session, Wednesday Evening, March 26th 
a ae Us I a a 


ERNEST HASKELL 


Contemporary American etcher. 


PAS kKELL, ERNEST 


266. AMELIA. Etching. 
Signed in pencil,—Ernest Haskell. Very Fine IMPRESSION, on 
Japan paper, in perfect condition. Proof, dedicated to Thomas C. 
Dawson. 


MASKELL, ERNEST 
267, IN THE Woops. Etching. 
Signed in pencil,—Ernest Haskell. Fine Impression, 
condition. Proof, dedicated to Thos. C. Dawson. 


i périect 


ry 


BASKELL, ERNEST 
268. THE Cove. Etching. 
Signed in pencil—Ernest Haskell. Fine Impression, 
condition. Proof, dedicated to Thos. C. Dawson. 


te 


n perfect 


HASKELL, ERNEST 


269. Tse Tipe Bripce : Meapow Tress. Etchings. 
Signed in pencil,—Ernest Haskell. Fine Impressions, in perfect 
condition. Proofs, dedicated to Thos. C. Dawson. 
Together, 2 pieces. 


Dashes ERNEST 
270. THE RIVER SANcTuaARY. Etching. 
Signed in pencil,—Ernest Haskell. Fine Impression, in perfect 
condition. Proof, dedicated to Thos. C. Dawson. 


eaSke LL, ERNEST 
271. THE Roap. Etching. 
Signed in pencil—Ernest Haskell. Fine Impression, in perfect 
condition. Proof, dedicated to Thos. C. Dawson. | 


Hook Pol ERNEST 
272. THE SNow Farm. Etching. 
Signed in pencil,—Ernest Haskell. Fine Impression, in perfect 
condition. Proof, dedicated to Thos. C. Dawson. 


Peel. HRNEST 
273. PuHippspurG, Maine. Etching. 
Signed in pencil,—Ernest Haskell. Fine Impression, in perfect 
condition. Proof, dedicated to Thos. C. Dawson. 


TASK ELL, ERNEST 
274. Witiows. Etching. 
Signed in pencil_—Ernest Haskell. Fine Impression, in perfect 
condition. Proof, dedicated to Thos. C. Dawson. 


Kindly read Conditions of Sale in forepart of Catalogue 
a a ee ea ee 


CHILDE HASSAM 


Contemporary American painter and etcher. 


HASSAM, CHILDE 


275. BittBoarps. Etching. 
Signed in pencil,_-CH. imp. Fine Impressron, in perfect condition. 


ALBANY E. HOWARTH 


Contemporary English etcher. 


HOWARTH, ALBANY “E. 


276. GouRocK; Corre CastTLe, No. 2. Etchings. 
Signed in pencil,—Albany E. Howarth. Fine Impressions, in per- 
fect condition, 
Together, 2 pieces. 


HOWARTH, ALBANY E. 


277, THe LanpeaTE, Rye, Sussex. Etching. 
Signed in pencil,—Albany E. Howarth. Fine IMpREssION, in per- 
fect condition. 


AUGUSTUS JOHN 


Contemporary English artist. 


JOHN, AUGUSTUS 


2774. THE Dawn. Lithograph. 
Signed proof. 


MARGUERITE KIRMSE 


Contemporary American etcher. 


KIRMSE,. MARGUERITE 


278. At Opps. Etching. 
Signed in pencil—Marguerite Kirmse. Fine Impresston, in pertect 
condition. Edition limited to 50 proofs. 


MAXIME LALANNE 


Modern French etcher. 


LALANNE, MAXIME 
279. A BorpEAUX, VUE GENERAL. Etching. 
Signed in the plate,—Lalanne. Fine Impression, on French paper, 
in perfect condition. 


LALANNE, MAXIME 
280. Pont St. Micuer. Etching. 
Signed in the plate,—Lalanne. Fine Impression, on French paper, 
in perfect condition. 


Second Session, Wednesday Evening, March 26th 


AUGUSTE LEPERE 


AMIENS CATHEDRAL 


[No. 286] 


Kindly read Conditions of Sale in forepart of Catalogue 
a a 


LALANNE, MAXIME 
281. RicuMonD; Tour DE MonTALBAN, AMSTERDAM. Etchings. 
Signed in the plate——Lalanne. Good impressions, in perfect con- 
dition. 
Together, 2 pieces. 


ALPHONSE LEGROS 


Celebrated French etcher, born in Dijon in 1837; died in 1911, 


LEGROS, ALPHONSE 


282. Le Lavorr. Etching. 
Sgined in pencil,—A. Legros. Fine IMpREssION, on Dutch paper, 


in perfect condition. 


WILLIAM LEE-HANKEY 


Contemporary English etcher. 


LEE-HANKEY, WILLIAM 


283. THe Poot. Aquatint. 
Hardie, No. 32. Signed in pencil,—W.~Lee-Hankey. FINE Im- 


PRESSION, in perfect condition. 


LEE-HANKEY, WILLIAM 


284. Tue Hitisiwe. Etching. 
Hardie, No. 57. Signed in pencil—W. Lee-Hankey. Good im- 


pression, in perfect condition. 


AUGUSTE LEPERE 


Celebrated French etcher and wood engraver, born in Paris, 1849; died 
at Damme in 1918. 


LEPERE, AUGUSTE 


28s. CARRIERES D AMERIQUE PRES PaRIs. Etching. 
Lote-Brissonneau, No. 108. Signed in pencil—A. Lepere. SUPERB 
IMPRESSION, on Japan paper, lower margin slightly rubbed, other- 
wise in perfect condition. Framed. 


From the Bullivant collection. 


LEPERE, AUGUSTE 


286, AMIENS CATHEDRAL. Etching. 
Signed in pencil—A. Lepére. Very FINE IMPRESSION, on Japan 

paper, in perfect condition. 
[See Illustration] 


LEPERE, AUGUSTE 


287. CoucHeErR pu SoLem. Etching. 
Signed in pencil,—A. Lepére. FINE ImpREsSION, On Dutch paper, in 
perfect condition. 


Second Session, Wednesday Evening, March 26th 


LEPERE, AUGUSTE 
288. EGLisE bE VerpeLtor. Etching. 
Signed in pencil, by Mme. Lepére, and with his red stamp. Fine 
Impression, on Dutch paper, in perfect condition. Proof No. 30 
of 50 printed. 


LEPERE, AUGUSTE 
289. L’ ArrivéeE au Moun. Etching. 
Signed in pencil—A. Lepére, 2nd Etat. tUn. Very Fine Impres- 
SION, in perfect condition. Marked unique, the only proof in the 
second state. 


LEPERE, AUGUSTE 
290. La Crorx pu Bots Macon. Etching. 
Signed in pencil,—A. Lepere, 42/50. Fine Impression, on Japan 
paper, in perfect condition. 


LEPERE, AUGUSTE 
291. La VirILLE PAssereLte. Etching. 
Signed in pencil,—A. Lepére, rst, Et 3/9. Very Fine Impression, 
on Japan paper, in perfect condition. There were only 9 impres- 
sions, in this state. 


LEPERE, AUGUSTE 


292. Le Mar bE Cocacne. Etching. 
Signed in pencil—A. Lepére. Fine Impression, on Dutch paper, 
in perfect condition. 


LEPERE, AUGUSTE 


293. Le Pont bE St. CLoup. Etching. 
Signed in pencil,—A. Lepére. Fine Impression, on Dutch paper, 
in perfect condition. 


LEPERE, AUGUSTE 


2904. Le Petir Pont. Etching. 
Signed in pencil—A. Lepére. Frne Impression, on Dutch paper, 
in perfect condition. Proof, No. 20 of 50 printed. 


LEPERE, AUGUSTE 


295. Les Bateaux Lavorrs. Etching. 
Signed in pencil—A, Lepére. Frne Impression, on Japan paper, 
in pertect condition. 


LEPERE, AUGUSTE 


296. Route dE Bituiancourt. Etching. 
Lotz-Brissonneau, No. 87. Signed in pencil,—A. Lepére, No. 1, 
Tir. 35 Ep. Fine Impression, in perfect condition. Framed. 


From the Jules Gerbeau, and Bullivant collections. 


Kindly read Conditions of Sale in forepart of Catalogue 


EDOUARD MANET 


Celebrated French painter and etcher, born in 1832; died in 1883. 


MANET, EDOUARD 


297. Fireux Exotigure. Etching. 
Signed in the plate-——Manet. Fine Impression, on Dutch paper, 
in perfect condition. 


DONALD SHAW MacLAUGHLAN 


Contemporary American etcher, born in Canada in 1876; living abroad. 


MacLAUGHLAN, DONALD SHAW 


298. Sonc From Venice, No. 1. Etching. 
Signed in pencil,—D. Shaw MacLaughlan. SupPreRB IMPRESSION, on 
Dutch paper, in perfect condition. 


MacLAUGHLAN, DONALD SHAW 


299. SonGc From Venice, No. 2. Etching. 
Signed in pencil—D. S. MacLaughlan. Frine Impression, repaired 
in lower right corner. 


MacLAUGHLAN, DONALD SHAW 


300. La Porte GayoLe. Etching. 
Signed in pencil—D. Shaw MacLaughlan. Finer IMPRESSION, on 
Japan paper, in perfect condition. 


MacLAUGHLAN, DONALD SHAW | 


301. River Sonc, No. 2. Etching. 
Signed in pencil,—D. S. MacLaughlan. Fine IMPRESSION, in per- 
fect condition. 


FRANK H. MASON 


Contemporary English etcher. 


MASON, FRANK H. 


302. Torpepo Boats. Drypoint. 
Signed Artist’s Proof. Also Etchings, The Fisherman, by Appian, 
and Pond of St. Firmin by Fonce. 
Together, 3 pieces. 


TOM MAXWELL 


Contemporary English etcher. 


MAXWELL, TOM 
303. Doune Castie. Etching. 
Signed in pencil—Tom Maxwell. Fine Iwpression, on Japan 
paper, in perfect condition. 


Second Session, Wednesday Evening, March 26th 


MAXWELL, TOM 


304. THE Broomietaw, GLascow. Drypoint. 
Signed in pencil—Tom Maxwell. Fine Impression, in perfect 
condition. 


JAMES McBEY 


Contemporary English etcher. 


McBEY, JAMES 
305. “1588.” Etching. 
Signed in ink,—James McBey. Very Fine Impression, on French 
paper, in perfect condition. Proof dedicated in ink, to James 
Grey, Nov. 1912. 


McBEY, JAMES 


306. FoveraAN Burn. Etching. 
Signed in ink,—James McBey. Fine Impression, in perfect con- 
dition. Proof, marked XIX. 


McBEY, JAMES 


307. Francais INconnvu. Etching. 
Signed in ink,—James McBey. Frne Impresston, on French paper, 
in perfect condition. Proof, marked 415. 


McBEY, JAMES 


308. THe Crucirix, Boutocne. Etching. 
Signed in ink—James McBey. Supers Impression, on French 
paper, in perfect condition. Proof, marked A 3. 


MORTIMER MENPES 


Contemporary English etcher. 


MENPES, MORTIMER 
309. Dorcuester. Etching. 
Signed in pencil,—Mortimer Menpes, imp. Fine Impression, in 
perfect condition. 


MENPES, MORTIMER 
310. Eartry Morninc, Rotrerpam. Etching. 
Signed in pencil—Mortimer Menpes, imp. Very Fine Impression, 
in perfect condition. 


MENPES, MORTIMER 
311. River Scene, JAPAN. Etching. 
Signed in pencil—Mortimer Menpes, imp. Fine Impression, in 
perfect condition. 


Kindly read Conditions of Sale in forepart of Catalogue 


MENPES, MORTIMER 


312. Winpsor Castie. Etching. 
Signed in pencil,—Mortimer Menpes, imp. Frne Impression, in 
perfect condition. 


MENPES, MORTIMER 


313. WATERLOO, Lonpon; WarEHouses: Custom Housz Wuarr. Etchings. 
Signed in pencil,—Menpes, imp. Good impressions, in perfect 
condition. 
Together, 3 pieces. 


CHARLES MERYON 


Celebrated French etcher. Born in Paris in 1821; died there in, 1868. 


MERYON, CHARLES 


314. Le Petit Pont. Etching. 
Delteil, No. 24. Third State of six. Signed in the plate, with the 
monogram,—CM. Fine Impression, in brown ink, on Dutch 
paper, in perfect condition. 


MERYON, CHARLES 


315. La Tour pve L’Hortoce. Etching. 
Delteil, No. 28. Eighth State of eight. Good impression, on yellow 
India paper, in perfect condition. 


MERYON, CHARLES 


316. Rue pe LA TIXERANDERIE. Etching. 
Delteil, No. 29. Third State of three. Signed in the plate, with 
the monogram,—CM. Good impression, slightly stained. Framed. 


MERYON, CHARLES 


317. L’Apsipe bE Notre Dame. Etching. 
Delteil, No. 38. Eighth State of eight. Signed in the plate,—C. 
Meryon, del. sculp. Fair impression, in perfect condition. 


MERYON, CHARLES 


318. La Rue pes CHantres, Paris. Etching. 
Delteil, No. 42. Fifth State of five. Very Fine Impression, on 
French paper, in perfect condition. 


From the M. Theil Thibaudeau and MacGeorge collections. 


MERYON, CHARLES 
319. CoLLEGE oF Henri IV ov Lycee Napotron. Etching. 
Delteil, No. 43. Eighth State of eight. Fine Impression, on French 
paper, in perfect condition. 


MERYON, CHARLES 
320. MINISTERE DE LA Marine. Etching. 
Delteil, No. 45. Fifth State of six. Signed in plate, with mono- 
gram,—CM. Fine Impression, in perfect condition. 


Second Session, Wednesday Evening, March 26th 


MERYON, CHARLES 
321. Kine Louis XI, ReceIvinc A PRINTER. Etching. 
Delteil, No. 94. Fourth State of four. Signed in the plate, with 
the monogram,—CM. Finer Impression, on Japan paper, in per- 
fect condition. 


CHARLES F. W. MIELATZ 


Modern American etcher. 


Poem eATZ CHARLES F. W. 
322. Custom Houssz, WALL Sr. 1905. Etching. 
Signed in pencil,—Mielatz, imp. Fine Impression, on Japan paper, 
in perfect condition. 


Perc AT ZZ, CHARLES F.-W. 
323. Near SoutH Ferry, 1904. Etching. 
Signed in pencil,—Mielatz, imp. Fine Impression, on Japan paper, 
in perfect condition. 


JEAN FRANCOIS MILLET 


Born in the little village of Gruchy, on the Norman coast, October 4, 
1814. Died at Barbizon, January 20, 1875. “A man who had given his 
whole life to etching only, who had never thought of painting, and had 
never cared for those effects proper to painting and not to etching, could 
not have been more truly and markedly a born etcher than Millet.”—Mrs, 
SCHUYLER VAN RENSSELAER, Millet as an Etcher. 


MILLET, JEAN FRANCOIS 


324. THE Woot Carper. Etching. 
Delteil, No. 15. Only State. Fine Impression, on old French 
paper, in perfect condition. 


MILLET, JEAN FRANCOIS 


325. SHEPHERDESS Knittinc. Etching. 
Delteil, No. 18. Only State. Signed in the plate,—J. F. Millet. 
Very Fine Impression, on Japan paper, in perfect condition. 


MILLET, JEAN FRANCOIS 


326. Gornc To Work. Etching. 
Delted, No. 19. Seventh State of seven. Signed in the plate,— 
J. F, Millet. Fine Impresston, on old French paper, in perfect 
condition. 


ROBERT NANTEUIL 


Celebrated French engraver, born in Rheims, in 1632; died in Paris in 1678. 


NANTEUIL, ROBERT 
327. GEORGE DE ScCuDERY. Engraving. 
Robert Dumesnil, No. 221. Signed in the plate,—Robertus Nanteuil. 
FINE IMPRESSION, in perfect condition. 
From the Francis Bullard collection. 


Kindly read Conditions of Sale in forepart of Catalogue 
pain Pai at at a a Se 
POWER O'MALLEY 


Contemporary American etcher. 


O'MALLEY, POWER 
328. Across THE Door. Etching. 


Signed Artist’s Proof. Also Portrait of Charles Dickens, by John- 


son. Signed Artist’s Proof. 
Together, 2 pieces. 


CHARLES PEARS 


Contemporary English artist, painter of naval subjects. 


PEARS, CHARLES 
328A. MAINTAINING OversEA Forces. Lithograph. 
Signed proof. 


GEORGE PENCZ 


Early German engraver, born in 1500; died in 1550. 


PENCZ, GEORGE 
329. THEBIS TURNS ACHILLES OVER TO CHIRON. Engraving. 


Bartsch, No. 90. Signed and dated in the plate-——PG. 1543. 


impression, in good condition. . 


Good 


Third Session, Numbers 330 to 499, inclusive 


THURSDAY EVENING, MARCH 27TH, AT 8:15 O’CLOCK 


JOSEPH PENNELL 


Celebrated American illustrator, etcher and lithographer, born in Phila- 


delphia, 1860; lives in New 


PENNELL, JOSEPH 


330. CALLOWHILL STREET BripGe, PHILA. 
Signed in pencil,—Joseph Pennell. 


York. 


Etching. 


FINE IMPRESSION, 


on Japan 


paper, in perfect condition. Also print of Chestnut St. Bridge, 


Phila, 
Together, 2 pieces. 


PENNELL, JOSEPH 


331. WATER STREET STAIRS, PHILADELPHIA. 


Signed in pencil,—Joseph Pennell. 
paper, in perfect condition. 


PENNELL, JOSEPH 


332. CHEAPSIDE. Etching. 
Signed in pencil—J. Pennell, imp. 
condition. 


Penne LL, JOSEPH 


333. CxiirForp’s Inn, Lonpon. Etching. 
Signed in pencil,—J. Pennell, imp. 
condition. 


SeeNNELL, JOSEPH | 
334. GREENWICH Park, No. 2. Etching. 


Signed in pencil,—J. Pennell, tmp. 


condition. 


BENNELL, JOSEPH 
335. Hays Wuarr, Lonpon. Etching. 
Signed in pencil,—J. Pennell, imp. 
condition. 


PENNELL, JOSEPH 
336. LamsBerH. Etching. 


Signed in pencil,—/. Pennell, imp. 


paper. Has small hole repaired. 


Etching. 
FINE IMPRESSION, 


FINE IMPRESSION, 


FINE IMPRESSION, 


FINE IMPRESSION, 


FINE IMPRESSION, 


FINE IMPRESSION, 


on Japan 


in perfect 


in perfect 


in perfect 


in perfect 


on Japan 


Kindly read Conditions of Sale in forepart of Catalogue 
ee eee 


PENNELL, JOSEPH 


337. Lupcate Hin. Etching. 
Signed in pencil,—J. Pennell, imp. Very Fine IMPRESSION, 1n per- 
fect condition. 


PENNELL, JOSEPH 


338. Str. Paut’s From THE EMBANKMENT. Etching. 
Signed in pencil—J. Pennell, imp. Frne Impression, in perfect 
condition. 


PENN ELIS OSS? i 


339. THe Dock, Lereps. Etching. 
Signed in pencil,—J. Pennell, ump. Fine IMPRESSION, in perfect 
condition. . 


PENNELL, JOSEPH 
340. THe Guitp Harr, Lonpon. Etching. . 
Signed in pencil—J. Pennell, amp. Fine IMPRESSION, in perfect 
condition. 


PENNELL JOSErE 


341. Tue THaMes From RICHMOND Hitt: eich 
Signed in pencil,—J. Pennell, imp. FINE IMPRESSION, in perfect 
condition. 


PENNELL, JOSEEE 
342. THe Turn or THE Tipe. Etching. . 
Signed in pencil,—J. Pennell, imp. Fine IMPRESSION, in perfect 
condition. 


PENNELLS JOSEPH 
343. THE SHot Tower. — Eiching. 
Signed in pencil,—J. Pennell, imp. VERY FINE IMPRESSION, on 
Japan paper, in perfect condition. 


PENNELL, JOSEPH 
344. APPROACH TO THE GRAND CENTRAL. Etching. 
Signed in pencil,—J. Pennell, imp. Fine Impression, on old paper, 
in perfect condition. 


PENNELL, JOSEPH 
345. Hore IN THE Ground. Etching. ? 
Signed in pencil—J. Pennell. Fine Impression, on Japan paper, 
in perfect condition. 


PENNELL, JOSEPH 
346. PALISADES AND PALACES. Etching. 
de Signed in pencil—J. Pennell, imp. FINE IMPRESSION, in perfect 
condition. 


PENNELL, JOSEPH 


347. Up to tHE WootwortH. Etching. ; 
Signed in pencil,—J. Pennell, imp. Fine Impression, on Japan 
paper, margins slightly rubbed. 


Third Session, Thursday Evening, March 27th 


mew hl JOSEPH 
PeowotbauLs, N.Y. Eiching. 
Signed in pencil—J. Pennell, imp. Fine Earty IMprREssIoNn, in 
brown ink, on old French paper, has few small rust marks, other- 
wise in perfect condition. 


PENNELL, JOSEPH 
349. Tue Ferry House. Etching. 
Signed in pencil,—J. Pennell, imp. Fine Impression, in perfect 
condition. 


FENN IcL, JOSEPH 
350. Up To THE WooLtwortH. Etching.’ 
Signed in pencil,—J. Pennell, imp. Fine Impression, in perfect 
condition. — 


Pio JOSEPH 
351. RoveN From Bon- Secours. Etching. 
Signed in pencil,—J. Pennell, imp. Fine Impression, in perfect 
condition. 


PON NEI JOSEPH 
352. From THE FairMonT—SEA Foc Comine In. Etching. 
Signed in pencil,—/J. Pennell, imp. Fine Impression, in perfect 
condition. 


Pell JOSEPH 
353. SEAL Rocks. Etching. 
Signed in pencil,—/J. Pennell, imp. Fine Impression, in perfect 
condition. 


PENNWELL, JOSEPH 
354. IsLEs oF THE Bay, ANGEL IsLAND From Hype Srreer. Etching. 
Signed in pencil,—J. Pennell, imp. Fine Impression, in perfect 
condition. 


Peel JOSEPH 
355. Russta Hitt. Etching. 
Signed in pencil,—J. Pennell, imp. Beautirut Trrat Proor, in 
perfect condition. 


EeNNELL, JOSEPH 
356. Down anv Up Ca.irorniA STREET. Etching. 
Signed in pencil—J. Pennell, imp. Fine Impression, in perfect 
condition. 


FEN NELL, JOSEPH 
357. CHINATOWN, SAN Francisco. Etching. 
Signed in pencil—-J, Pennell, imp. Fine Impression, in perfect 
condition. 


Kindly read Conditions of Sale in forepart of Catalogue 
aie a nian tac i a a 


PENNELL, JOSEPH 


358. THE QuaARRY AT PENTILCON. Etching. 
Signed in pencil,—J. Pennell, imp. FINE IMPRESSION, in perfect 
condition. 


PENNELL, JOSEPH 


359. SCENE AT TAoRMINA. Etching. 
Signed in pencil,—J. Pennell, imp. FINE EarLy TRIAL PROOF, on 
Japan paper, in perfect condition. 


PENNELL, JOSEPH 


360. Coat, In THE MaHoNEY VALLEY. Etching. 
Signed in pencil,—J. Pennell, imp. FINE IMPRESSION, in perfect 
condition. 3 


PENNELL, JOSEPH 
361. Stock Yarps, Cuicaco. Etching. 


Signed in pencil,—J. Pennell, amp. Very Frne IMPRESSION, in 
perfect condition. 


PENNELL] JOSEPH 


362. Timber Mitts, ZAANDAM. Lithograph. 
Signed in pencil—Josepl Pennell, 1898. VERY Fine IMPRESSION, 
in perfect condition. 


PENNELL OSEEH 
362A. War Suies. Lithograph. 


PENNELL, JOSEPH 
363. A WinpMILL, ScHiepAM. Lithograph. 
Signed in pencil,—Joseph Pennell, 1898. VERY FINE IMPRESSION, 
in perfect condition. 


JEAN FRANCOIS RAFFAELLI 
Modern French artist. 


RAFFAELLI, JEAN FRANCOIS 
363A.LUXEMBOURG GARDENS. Lithograph. 


JOSEPH RAPHAEL 


Contemporary American etcher. 


RAPHAEL, JOSEPH 


364. CanaLt Boats; THe Emma M. Etchings. 
Signed in ink,—Jos. Raphael. Fine IMpREssIoNns, on Dutch paper, 
in perfect condition. 
Together, 2 pieces. 


Third Session, Thursday Evening, March 27th 


RoareArL JOSEPH 
365. Circus Clowns; WINDMILL; ON THE BracH. Etchings. 
Signed in ink,—Jos. Raphael. Fr1ne Impressions, on Dutch paper, 
in perfect condition. 
Together, 3 pieces. 


RAPHALL, JOSEPH 
366. Marxket Piace; Roor Tors. Etchings. 
Signed in ink,—Jos. Raphael. Fine Impressions, on Dutch paper, 
in perfect condition. 
Together, 2 pieces. 


RAPHAEL, JOSEPH 
367. STREET SCENE AT NiGHT : ON THE.CANAL. Etchings. 
Signed in ink,—Jos. Raphael. Fine Impressions, on Dutch paper, 
in perfect condition. 
Together, 2 pieces. 


RAPA s}OSEPH 
368. THE Patace: UNLoapiInc. Fichings. 
Signed in ink.—Jos. Raphael. Fine Impressions, on Dutch paper, 
in perfect condition. 
Together, 2 pieces. 


REMBRANDT VAN RIJN 


Born, Leyden, 1607; died, Amsterdam, 1669. Pupil of Swanenburch and 
Pieter Lastman. “The opinion among etchers which enthrones Rem- 
brandt as the King of his craft is the most recent instance of perfect 
unanimity among people of all nationalities. As we all say Phidias was 
the greatest sculptor, Homer the greatest epic poet, and Shakespeare the 
greatest dramatist, so we are all agreed on the world-wide supremacy of 
Rembrandt. In his own lines of work there is no one in all history to 
be compared with Rembrandt; in artistic influence he has one equal en- 
tirely unlike himself, and that is Raphael. They are the two most 
influential graphic artists of all time.”—-P. G. HAMERTON. 


REMBRANDT VAN RIJN 


369. JosEPH AND PotipHar’s Wire. Etching. 
Bartsch, No. 39. Signed in the plate,—Rembrandt, 1634. Good 


impression, in good condition. 3 


REMBRANDT VAN RIJN 


370. Topsit Buinp. Eiching. 
Bartsch, No. 42. Signed in the plate—Rembrandt. Good impres- 


sion, in perfect condition. 


REMBRANDT VAN RIJN 


371. CHRIST AND THE WOMAN OF SAMARIA. Etching. 
Bartsch, No. 70. Signed in the plate—Rembrandt, 1658. VERY 
Fine Impression, in perfect condition. 


REMBRANDT VAN RIJN 


372. CHRIST AND THE WoMAN oF SAMARIA: AMONG Ruins. Etchin: 
Bartsch, No. 71. Signed in the plate-——Rembrandt, 1634. Good im- 
pression, in good condition. 


Kindly read Conditions of Sale in forepart of Catalogue 


REMBRANDT VAN RIJN 


373. RESURRECTION OF Lazarus. Etching. 
Bartsch, No. 72. Signed in the plate,—Rembrandt, 1646. FINE 
IMPRESSION, in perfect condition. 


REMBRANDT VAN RIJN 
374. Curist Heatinc THE Sick (The Hundred Guilder Print). Etching. 
Bartsch, No. 74. Good impression, from the reworked plate by 
Capt. Baillie. In good condition. 


REMBRANDT VAN RIJN 


375. Ecce Homo—Curtst Berore Pivate. Etching. 
Bartsch, No. 77. Good impression, in good condition. 


REMBRANDT VAN RIJN 


376. THe Descent From THE Cross (By Torchlight). Etching. 
Bartsch, No. 83. Signed in the plate—Rembrandt, 1654. Fair 
impression, in good condition. | 


REMBRANDT VAN RIJN 


377, RETURN OF THE PropiGAL Son. Etching. 
Bartsch, No. 91. Signed in the plate——Rembrandt, 1636. FINE 
IMPRESSION, in perfect condition, has small margins. 


REMBRANDT VAN RIJN 


378. STONING OF ST. STEPHEN. Eiching. 
Bartsch, No. 97. Signed in the plate,—Rembrandt, 1635. Good 
impression, in good condition. 


REMBRANDT VAN RIJN 
379. St. JEROME IN A DARK CHAMBER. Etching. 
Bartsch, No. 105. Signed in the plate—Rembrandt, 1642. Very 
good impression, in perfect condition. 


REMBRANDT VAN RIJN 


380. St. Francis Prayine. Etching. 
Bartsch, No. 107. Signed in the plate—Rembrandt. Good im- 
pression, slightly stained, and repaired. 


REMBRANDT VAN RIJN 
381. THe Star or THE Kines (A Christmas ceremony in Amsterdam). 
Etching. 
Bartsch, No. 113. Etched about 1652. Fine Impression, slightly 
stained at back. 


REMBRANDT VAN RIJN 


382. BrcGARS AT THE Door oF A House. Etching. 
Bartsch, No. 176. Signed in the plate,—Rembrandt, 1648. Good 
impression, repaired in upper right corner. ; 


Third Session, Thursday Evening, March 27th 


REMBRANDT VAN RIJN 


383. OLp Man Wita Divipep Fur Cap. Etching. 
Bartsch, No.. 265. Signed in the plate-—Rembrandt, 1640. FINE 
IMPRESSION, in perfect condition. 


REMBRANDT VAN RIJN 


384. Dr. Faustus. Etching. 
Bartsch, No. 270. Good impression, in good condition. 


REMBRANDT VAN RIJN 


385. RENIER ANsLoo. Etching. 
Bartsch, No. 271. Signed in the plate,—Rembrandt. Fair impres- 
sion, in good condition. 


REMBRANDT VAN RIJN 


386. CLEMENT DE JoNGHE. Etching. 
Bartsch, No. 272. Signed in the plate,—Rembrandt. Good im- 
pression, in good condition. 


REMBRANDT VAN RIJN 
387. ABRAHAM FRANz. Etching. 
Bartsch, No. 273. Fine Impression, in perfect condition. Has 
one half inch margins. 
From the Cambridge University Library, Fitz William Museum. 


REMBRANDT VAN RIJN 


388. Jan Lutma. Etching. 
Bartsch, No. 276. Signed in the plate-—Rembrandt, 1656. Good 
impression, 1n good condition. 


REMBRANDT VAN RIJN 
389. Man WitH Broad BriMMED HaT AND RurFrF. Etching. 
Bartsch, No. 311. Signed in the plate——Rt. 1630. Good impression, 
in good condition. } 


WILLIAM P. ROBINS 


Contemporary English etcher. 


moeCiNs, WILLIAM P. 
390. THE BARN BY THE STREAM. Fiching. 
Signed in pencil—Wm. P. Robins. Fine Impression, in perfect 
condition. Proof, No. 4 of an edition of 30. 


FREDERICK ROBBINS 


Contemporary American etcher. 


ROBBINS, FREDERICK 
391. MARKET STREET, SAN Francisco. Etching. 
Signed in pencil—Frederick Robbins. Fine ImMprREssiIoNn, on Japan 
paper, in perfect condition. 


Kindly read Conditions of Sale in forepart of Catalogue 


AUGUSTE RODIN 


Modern French sculptor. 


RODIN, AUGUSTE 
391A. PortrAIT OF Victor Huco. Drypoint. 


ERNEST ROTH 


Contemporary American painter and etcher. 


ROTH, ERNEST 


392. AMIENS CATHEDRAL. Etching. 
Signed in pencil,—Ernest D. Roth. Very Fine IMpREssIon, on 
Japan paper, in perfect condition. | 


ROTH, ERNEST 


393. CiirrF DweLiers, Cuenca. Etching. 
Signed in pencil,—Ernest D. Roth, 1921. Fine Impression, on 
Japan paper, in perfect condition. 


WILLIAM ROTHENSTEIN 
Contemporary English artist. 


ROTHENSTEIN, WILLIAM 


3934. PLoucHine. Lithograph. 
Signed proof. : 


FREDERICK SCHMUTZER 


Contemporary German etcher. © 


SCHMUIZER TE REDERICK 


394. WoMAN FerepineG GEEsE. Etching. 
Signed in pencil,—F. Schmutzer. Fine Impression, in perfect 
condition. 


MARTIN SCHONGAUER 


Celebrated German engraver, born at Colmar in 1445; died in 1499. 


SCHONGAUVER, MARTIN 
395. THE Crown or THorns. Engraving. 
Bartsch, No. 13. Signed in the plate, with the monogram,—MS, 
Fair impression, torn and repaired, through centre and along 
margins. ; 
Duplicate from the Museum of Fine Arts, Boston, and from the Peoli collection. 


Third Session, Thursday Evening, March 27th 


T. FRANCOIS SIMON 


Contemporary Bohemian etcher, born at Prague in 1877. 


SIMON, T. FRANCOIS 


396. First CoMMUNION. Etching. 
Signed in pencil,—T. F. Simon. Finer Impression, on Dutch paper, 
in perfect condition. 


CHARLES H. SHANNON 
Contemporary English lithographer. 


SHASINON, CHARLES H. 


396A. PoRTRAIT OF ALPHONSE LeGros. Lithograph. 
One of 50 proofs, printed and signed by Shannon. 


FRANK SHORT 


Contemporary English etcher and mezzotinter. Born at London in 1857. 


SHORT, FRANK 


397. DIANA AND EnpyMion. Mezzotint. 
After the painting by Watts. Signed Artist’s Proof. Fine Im- 
PRESSION, in perfect condition. 


SHORT, FRANK 


398. Dinner Time, oN Boarp A TimMBER Barce. Etching. 
Signed in pencil,—Frank Short. Fine IMPRESSION, in perfect con- 
dition. 


SHORT, FRANK 


399. WeNsLeY Date, YorKSHIRE. Mezzotint. 
Signed in pencil,—Frank Short. Very FINE Impression, on Japan 
paper, in perfect condition. 


SHORT, FRANK 


400. WroucuT Naits. Etching. 
Signed in pencil—Frank Short. Fine Impression, in perfect 
condition. 


ALBERT STERNER 


Contemporary American painter and lithographer. 


STERNER, ALBERT 
4o1. Amour Mort. Lithograph. 
Signed in pencil,—Albert Sterner, 78/100, Fine IMpREssIoN, in 
perfect condition. Edition limited to 100 proofs. 


Kindly read Conditions of Sale in forepart of Catalogue ~ 


IAN STRANG 


Contemporary English etcher. 


STRANG, IAN 


402. ARCHWAY, ST. PETER’s, Rome. Etching. 
Signed in pencil,—/an Strang, torr. Very Fine IMpRESSION, on 
Japan paper, in perfect condition. 


STRANG, IAN 


03. Op STREET, Orvieto. Etching. 
ib g 
Signed in pencil,—/an Strang. Fine Impression, on Japan paper, 
perfect condition. 


JOHN H. TWACHTMAN 


Celebrated American painter and etcher., 


TWACHTMAN, JOHN H. 


404. QUAI AT HARFLEUR. Etching. 
Signed in pencil—JHT. per AT. Fine Impression, in perfect con- 
dition. Framed. 


LUCAS VAN LEYDEN 


Early German engraver, born at Leyden, in 1494; died in 1533. 


VAN LEYDEN, LUCAS 


405. ABRAHAM DiIsMIssING Hacar. Engraving. 
Bartsch, No. 18. Signed in the plate, with the monogram,—L. 
Fine Impression, slightly stained. 


VAN LEYDEN, LUCAS 


406. JosEPH RELATING His DREAM. Engraving. 
Bartsch, No. 23. Signed in the plate,—with the monogram,—L. 
FINE ImprEssIoN, in perfect condition. 
From the Baron Von Lanna collection. 


VAN -LEY DEN =LUCAS 


407. Baptism oF Curist. Engraving. 
Bartsch, No. 40. Signed in the plate, with the monogram,—L. 
Good impression, in perfect condition. 


ADRIAEN VAN OSTADE 


Celebrated Dutch painter and etcher, born at Haarlem in 1610; died 
there in 1685. 


VAN OSTADE, ADRIAEN 
408. MAN LEANING oN A House Door. Etching. 
Dutuit, No. 9. Signed in the plate-——V. Ostade. Fine ImprEssion, 
in perfect condition. 


Third Session, Thursday Evening, March 27th 


VAN OSTADE, ADRIAEN 


409. THe FIsHERMAN. Etching. 
Dutuit, No. 24. Fine Impression, in perfect condition. 


VAN OSTADE, ADRIAEN 


410. Woman Spinninc: THE CHILD AND THE Dott. Etchings. 
Signed in the plates—AVlV Ostade. Good impressions. 
Together, 2 pieces. 


WILLIAM WALKER 


Contemporary English etcher. 


WALKER, WILLIAM 
411. Earty Mornine. Etching. 
Signed in pencil—William Walker. Fine Impression, in perfect 
condition. Framed. 


HERMAN A. WEBSTER 


Contemporary American etcher. 


WEBSTER, HERMAN A. 
412, CORTLANDT STREET. Etching. 


Signed in pencil,—Herman A. Webster. Very Fine Impression, 
on old French paper, in perfect condition. 


WEBSTER, HERMAN A. 


413. La Matson MEttne, Paris. Eéching. 
Signed in pencil—Herman A. Webster. Fine Impression, in per- 
fect condition. 


WEBSTER, HERMAN A. 


414. Le Pont Neur, Parts... Etching. 
Signed in pencil—Herman A. Webster. Very Fine Impression, 
on old French paper, in perfect condition. 


WEBSTER, HERMAN A. 


415. O_p Houses oN THE Quart. Etching. 
Signed in pencil—Herman A. Webster. Fine ImpRESSION, in per- 
fect condition. 


WEBSTER, HERMAN A. 


416. Rue FroMENTAL. Etching. | 
Signed in pencil—Herman A. Webster. Fine Impression, in per- 
- fect condition. 


Kindly read Conditions of Sale in forepart of Catalogue 


JAMES ABBOTT McNEILL WHISTLER 


Celebrated American painter and etcher. Born at Lowell, Mass., in 
1834; died at London in 1903. 

“With the master-etchers of the world—Meryon’s equal in some respects 
and, in some respects, Rembrandt’s—there stands James Whistler. Con- 
noisseurs in France and England, in America, Holland, Bavaria, concede 
this now.”—FREDERICK WEDMORE. 

“All his work is alike perfect. It has only been produced under different 
circumstances and is an attempt to render different effects or situations. 
Therefore the methods vary, but the results are always the same—great. 
The greatest, most perfect, as a whole, that any etcher has ever accom- 
plished.” —Jos—EPpH PENNELL. 


WHISTLER, JAMES ABBOTT McNEILL 
417. Littte ArtHur. Etching. 
Kennedy, No. 9. Fifth State of five. Signed in the plate— 
Whistler. Fine IMPRESSION, on Japan paper, in perfect condition. 


WHISTLER, JAMES ABBOTT McNEILL 


418. Fumette. Etching. 
Kennedy, No. 13. Fourth State of four. Signed in the plate, 
Whistler. Fixe Impression, on old French paper, in_ perfect 
condition. 


WHISTLER, JAMES ABBOTT McNEILL 


419. FumettTr. Etching. 
Kennedy, No. 13. Fourth State of four. Signed in the plate,— 
Whistler. Good impression, on Japan paper, in perfect.condition. 


WHISTLER, JAMES ABBOTT McNEILL 
420. La Vre1LLE Aux Logues. Etching. 
Kennedy, No. 21. Second State of three. Signed in the plate,— 
Whistler. Fine Impression, in brown ink, on French paper, 
“in perfect condition. | 


WHISTLER, JAMES ABBOTT McNEILL 
42t. La VireLtE Aux Logues. Etching. 
Kennedy, No. 21. Third State of three. Signed in the plate,— 


Whistler. Fine Impression, on old French paper, in perfect 
condition. 


WHISTLER, JAMES ABBOTT McNEILL 
422. Lirtte Rac GATHERERS. Etching. 
Kennedy, No. 23. Fifth State of five. Signed in the  plate,— 
Whistler, 1858. Fine Impression, in perfect condition. = 


WHISTLER, JAMES ABBOTT McNEILL 
423. LitTLe Rac GATHERERS. Etching. 
Kennedy, No. 23. Fifth State of five. Signed in the plate—— _ 
Whistler. Fine Impression, on French paper, in perfect. 
condition. 


Third Session, Thursday Evening, March 27th 


WHISTLER, JAMES ABBOTT McNEILL 
424. THAMES Po.ice. Etching. 
Kennedy, No. 44. Third State of three. Signed in the plate,— 


Whistler, 1859. Good impression, has a few printers’ folds. 
Framed. 


WHISTLER, JAMES ABBOTT McNEILL 
425. Bist VALENTIN. Etching. 
| Kennedy, No. 50. Second State of two. Signed in the plate,— 


Whistler, 1859. Fine Impression, has slight fold from top on 
left side. 


WASTER JAMES ABBOTT McNEILL 
426. Brecqguet. Etching. 
Kennedy, No. 52. Fourth State of four. Frne Impression, on 
Japan paper, in perfect condition. One of the “Thames Set.’ 


ie eek) ES ABBOTT McNEILL 
427. PoRTRAIT OF DrovueTt. Etching. 
Kennedy, No. 55. Second State of two. Signed in the plate,— 
Whistler, 1859. NERY Fine IMpreEssIon, on Japan paper, in 
perfect condition. 


WHISTLER, JAMES ABBOTT McNEILL 
428. Venus. Etching. 
Kennedy, No. 59. Second State of two. Signed in the plate,— 
Whistler, 1850. Very Fine Impression, in perfect condition. 
From the F. Nazby Harrington collection. 


WHISTLER, JAMES ABBOTT McNEILL 
429. ROTHERHITHE. Etching, and Drypoint. 
Kennedy, No. 66. Third State of three. Signed in the plate,— 
Whistler, 1560. Very FINE Impression, in rich black ink, on 
French paper, in perfect condition. One of the “Thames Set.” 


Win eek. JAMES ABBOTT McNEILL 


430. THE Force. Drypornt. 
Kennedy, No. 68. Fourth State of four. Signed in the plate,— 
Whistler, t861. FINE IMPRESSION, in perfect condition. 


Weis tLER, JAMES ABBOTT McNEILE 
431. St. JAMES STREET. - Etching. 
Kennedy, No. 169. Fourth State of four. Signed in the plate, with 


the Butterfly. Fine IMpREssIoN, in brown ink, on French paper, 
in perfect condition. 


Wiisteek, JAMES ABBOTT McNEILL 
432. St. JAMEs STREET. Etching. 
Kennedy, No. 169. Fourth State of four. Signed in the plate, 
with the Butterfly. Fine Impression, in perfect condition. 


Kindly read Conditions of Sale in forepart of Catalogue 


eon atin 


“te 


&». 


[No. 438] 


WHISTLER, JAMES ABBOTT McNEILL 


433. THe ApAM AND Eve Tavern. Etching. 
Kennedy, No. 175. Second State of two. . Signed in the plate, 
with the Butterfly. BrautiruL Ricu Impression, on French 


paper, in perfect condition. 


WHISTLER, JAMES ABBOTT McNEILL 


434. Putney Bripce. Etching. 
Kennedy, No. 178. Fourth State of four. Signed in pencil, with 


the Butterfly, imp. Fine Impression, in perfect condition. 


WHISTLER, JAMES ABBOTT McNEILL 


435. Lirrte Putney. Liching. 
Kennedy, No. 179. Third State of three. Signed in the plate, wie , 
the Butterfly. Frne Impression, on French paper, in padiect | 


condition. 


WHISTLER, JAMES ABBOTT McNEILL 


436. HurtincHam. Etching. 
Kennedy, No. 181. Third State of three. Signed in the plate, with 
the Butterfly. Fine Impression, on French paper, in perfect 


condition. 


Third Session, Thursday Evening, March 27th 
a ll Sareea rae ot mated 


[No. 439 ] 


WHISTLER, JAMES ABBOTT McNEILL 


437. HurtincHam. Etching. 
Kennedy, No. 181. Third State of three. Signed in the plate, with 
the Butterfly. Fine Impression, on French paper, in perfect 
condition. 


WHISTLER, JAMES ABBOTT McNEILL 


438. Littte Venice. Etching. 
>. Kennedy, No. 183. Only State. Signed in pencil, with the 
_— Butterfly, imp. BEAvuTIFUL Proor, in perfect condition. 


[See Illustration] 


WHISTLER, JAMES ABBOTT McNEILL 
439. THe Pavaces. Etching. 
Kennedy, No. 187. Second State of three. Signed in pencil, with 
the Butterfly, imp. Brautirut Ricw Proor, in perfect condition. 


. [See Illustration] 


Kindly read. Conditions of Sale in forepart of Catalogue 
I 


WHISTLER, JAMES ABBOTT McNEILL 
440. THE Doorway. Etching. 
Kennedy, No. 188. Second State of seven. Signed in pencil, with 
the Butterfly, imp. Fine IMPRESSION, on old French paper, in 
perfect condition. 


WHISTLER, JAMES ABBOTT McNEILL 
441, THE Doorway. Etching. 
Kennedy, No. 188. Sixth State of seven. Signed in pencil, with 
the Butterfly, imp. Fine IMPRESSION, has four small pin holes, 
and repaired in lower right and left corners. 


WHISTLER, JAMES ABBOTT McNEILL 
442. THe TracHeEtTTo, No. 2. Etching. 
Kennedy, No. ror. Fourth State of six. Signed in pencil, with 
the Butterfly, imp. Fine Impression, has small hole in lower 
right, and mounted down solid on thin board. 


WHISTLER, JAMES ABBOTT McNEILL 
443. Two Doorways. Etching. 
Kennedy, No. 193. Fourth State of six. Signed in pencil, with 
the Butterfly, imp. Fine IMPRESSION, has small hole in lower 
right corner, otherwise in perfect condition. 


WHISTLER, JAMES ABBOTT McNEILL 


444. Tue Beccars. Etching. 
Kennedy, No. 194. Seventh State of nine, before the Butterfly, was 
re-etched in the plate. Fine IMPRESSION, in perfect condition. 


WHISTLER, JAMES ABBOTT McNEILL 


445. THE BEAD STRINGERS. Etching. 
Kennedy, No. 198. Eighth State of eight. Signed in pencil, with 
the Butterfly, imp. Very FINE IMPRESSION, in perfect condition. 


WHISTLER, JAMES ABBOTT McNEILL 


446. Fruit Stary. Etching. 
Kennedy, No. 200. Sixth State of seven. Signed in the plate, with 
the Butterfly. BrautiruL Proor, in perfect condition. 


WHISTLER, JAMES ABBOTT McNEILL 


447. NocTURNE PALACES. Etching. - 
Kennedy, No. 202. Sixth State of nine. Signed in pencil, with 
the Butterfly imp. Very Fine Proor. In perfect condition. 


[See Frontispiece for Illustration] 


WHISTLER, JAMES ABBOTT McNEILL 
448. Lone Lacoon. Etching. 
Kennedy, No. 203. Second State of two. Signed in pencil, with 
the Butterfly, imp. Fine Impresston, in perfect condition. 


Third Session, Thursday Evening, March 27th 
SS eal 


WHISTLER, JAMES ABBOTT McNEILL 
449. THe Bringer. Etching. 
Kennedy, No. 204. Eighth State of eight. Signed in pencil, with 
the Butterfly, imp. Very Fine Impression, in perfect condition. 


WHISTLER, JAMES ABBOTT McNEILL 
450. THE Riva, No. 2. Etching. 
Kennedy, No. 206. First State of two. Signed in pencil, with the 
Butterfly, imp. Frxe Impression, in perfect condition. 


WHISTLER, JAMES ABBOTT McNEILL 
451. La Saute: Dawn. Etching. 
Kennedy, No. 215. Fourth State of four. Signed in pencil, with 
the Butterfly, imp. FIne Impression, in perfect condition. 


WiStlCER, JAMES ABBOTT McNEILL 
452. Lacoon Noon. Etching. 

) Kennedy, No. 216. Third State of three. Signed in pencil, with 
the Butterfly, imp. Fine Impresston, has few small tears on 
upper margin, otherwise in perfect condition. 

From the Howard Mansfield collection. 


Peo ER, JAMES ABBOTT McNEILL 
453. THe WHEELwRIGHT. Etching. 
Kennedy, No. 233. Fifth State of five. Signed in pencil, with the 
Butterfly, imp. Brautirut Proor, in perfect condition. 


Mite llek, JAMES ABBOTT McNEILL 
454. SWAN AND Iris. Etching. 
Kennedy, No. 241. Second State of two. Fine Impression, in per- 
fect condition. 


Wristeek, JAMES ABBOTT McNEILL 
455- A STREET IN Lonpon. Etching. 

Signed in the plate, with the Butterfly. Fine Impression, on Japan 
paper. Also etching by Menpes, Portrait of Whistler, signed in 
pencil. 

Together, 2 picces. 


PWHISTLER, JAMES ABBOTT McNEILL 
456, Earty Mornine, THE THAMES aT BaTrersea. Lithotint. 
Way, No. 7. Signed in the stone, with the Butterfly. Fine Im- 
PRESSION, in perfect condition. 


Wet>l Eek, JAMES,ABBOTT McNEILL 


457. THE Wincep Hat. Lithograph. 
Way, No. 25. Signed in pencil, with the Butterfly. Very Fine 
Proor, in perfect condition. 


Kindly read Conditions of Sale in forepart of Catalogue 
putin Ak totes peniepir seit Cae eee 


WHISTLER, JAMES ABBOTT McNEILL 


457A. OLD BATTERSEA BRIDGE : READING. Lithographs. 
Way, Nos. 12 and 13. 100 proofs of each. 


WHISTLER, JAMES ABBOTT McNEILL 
458. Gants pu SuepE : THE WINGED Hat. Lithographs. 
Way, Nos. 26 and 25. Signed on the stones, with the Butterfly. 
Good impressions, in perfect condition. 
Together, 2 pieces. 


WHISTLER, JAMES ABBOTT McNEILL 
4s9. Nupe Mover Reapine. Lithograph. 
Way, No. 29. Signed on the stone, with the Butterfly. Fine Im- 
PRESSION, slightly stained. 


WHISTLER, JAMES ABBOTT McNEILL 
460. THe Dancine Girt. Lithograph. 
Way, No. 30. Signed on the stone, with the Butterfly. Fine Im- 
PRESSION, in perfect condition. Pencil dedication—To F. Gould- 
ing,—R. Birme Philip. 


From the F. Goulding collection. 


WHISTLER, JAMES ABBOTT McNEILL 
461. La Rose Rovuce: Savoy PIGEONS : THe SmitHs Yarp: BaBy 
LeLtaNnp. Lithographs. 
Way, Nos. 68, 118, 88, 110. Signed on the stones, with the Butterfly. 
Impressions from “The Studio.” 
Together, 4 pieces. 


WHISTLER, JAMES ABBOTT McNEILL 


462. MorHer AND Cuixp, No. 1. Lithograph. 
Way, No. 80. Signed on the stone, with the Butterfly. Very FINE 
IMPRESSION, in perfect condition. 


WHISTLER, JAMES ABBOTT McNEILL 


463. Girt witH A Bow. Lithograph. 
Way, No. 82. Signed on the stone, with the Butterfly. Fine Im- 
PRESSION, on Japan paper, in perfect condition. 


WHISTLER, JAMES ABBOTT McNEILL 
464. Stupy, No, 2. Lithograph. 


Ain 
Way, No. 1o8. Signed on the stone, with the Butterfly. _FINe 


IMPRESSION, in perfect condition. 
From the Thomas R. Way collection. é 


a 


WHISTLER, JAMES ABBOTT McNEILL 
465. Lirrte EveLyN : SAvoy Picrons. Lithographs. | 
Way, Nos. 110 and 118. Signed on the stones, with the Butterfly. 
Good impressions, in perfect condition. 
Together, 2 pieces. 


om 


Third Session, Thursday Evening, March 27th 


WHISTLER, JAMES ABBOTT McNEILL 
466. St. Gites CHurcu. Lithograph. 


Way, No..129. Signed on the stone, with the Butterfly. Fine 
IMPRESSION, in perfect condition. 


WHISTLER, JAMES ABBOTT McNEILL 
467. THE SHOEMAKER : THE Docror. Lithographs. 
Way, Nos. 151 and 78. Signed in the stones, with the Butterfly, 
Good impressions, in perfect condition. 
Together, 2 pieces. 


MAHONRI YOUNG 


Contemporary American sculptor and painter, 


YOUNG, MAHONRI 


467A. THE SAnp Pit. Drypoint. 
One of 13 impressions. 


ANDERS ZORN 


Swedish painter and etcher. Born at Mora in Dalecarlia in 1860. “But 
it is in his etchings that the art of Anders Zorn is seen in its highest 
vigor, creativeness and sureness of hand, whether these etchings be done 
directly from nature or are transcriptions of his masterly paintings. 
Lines apparently scribbled at random, and which might seem to harshly 
gash the copper-plate, result in a whole, which is strong, clear, and 
vivid, and the etchings present pictures expressing the most delicate and 
fleeting phases of expression and gesture.”—-HENRI MaArcet. 


ZORN, ANDERS 
468. THE Wattz. Etching. 
Asplund, No. 54. Third State of three. Signed in pencil,—Zorn. 
FInE Impression, on Dutch paper. Slightly stained, otherwise 
in perfect condition. 
[See Ilustration] 


ZORN, ANDERS 
469. MapameE Simon. Etching. 
Asplund, No. 67. Fourth State of four. Signed in pencil,—Zorn. 
FINE IMPRESSION, on Japan paper, in perfect condition. One of 
the 37 proofs printed on large size Japan paper, before edition 
was printed for publication in Pan. 


i... 


ZORN, ANDERS 


470. En Omnisus. Etching. 
_ Asplund, No. 72. Third State of three. Signed in pencil,—Zorn. 
FINE Impression, on Dutch paper, in perfect condition. 


ZORN, ANDERS 


471. Renan. Etching: 
Asplund, No. 73. ‘Fourth State of five. Signed in pencil.—Zorn. 
Very Fine Impression, on Dutch paper, in perfect condition. 


Kindly read Conditions of Sale in forepart of Catalogue 
pec el sii rR el he a 


[No. 468] 
ZORN, ANDERS > 
472. Orca B. Etching. Le 


Asplund, No. 74. Second State of two. Signed in pencil,—Zorn. 
Fine Ivpression, on Dutch paper, in perfect condition. Pi 


From the Buckingham collection. at 


ZORN, ANDERS 


473. St. GAUDENS AND MopEL. Etching. 
Asplund, No. 114. Only State. Signed in pencil,—Zorn. VERY 


Fixe Impression, on Dutch paper, in perfect condition. 


Third Session, Thursday Evening, March 27th 


ZORN, ANDERS 
474. Otp Batiap. Etching. 
Asplund, No, 128. Only State. Signed in pencil_—Zorn. Very 
Fine Impression, on Dutch paper, in perfect condition. 


ZORN, ANDERS 
475. Biiiiarps. Etching. 
Asplund, No. 137, Only State. Signed in pencil;—Zorn. Fine 
Impression, on Dutch paper, in perfect condition. 


ZORN, ANDERS 


476. GROVER CLEVELAND. Etching. 
Asplund, No. 144. Fourth State of four. Signed in pencil,—Zorn. 
BrauTiruL Impression, on Dutch paper, in perfect condition. 


ZORN, ANDERS 


477. CIRCLES D’ Eau (First Plate). Etching. 
Asplund, No. 212. Second State of two. Signed in pencil,—Zorn. 
Good impression, on French paper, in perfect condition. Very 
Rare. 


ZORN, ANDERS 
478. Epo. Etching. 
Asplund, No. 214. Third State of three. Signed in pencil,—Zorn. 
Fine Impression, on French paper, in perfect condition. 


ZORN, ANDERS 
479. Epo. Etching. 
Asplund, No. 214. Third State of three. Signed in pencil,—Zorn. 
Good impression, on Dutch paper, torn and repaired in lower left 
corner. 


ZORN, ANDERS 
480. QUEEN SOPHIA OF SWEDEN. Etching. 
Asplund, No. 223. Second State of two. Signed in pencil,—Zorn. 
Very Fine Impressron, on Dutch paper, in perfect condition. 


™.ZORN, ANDERS 
481. THree Graces. Etching. 
\, Asplund, No. 236. Second State of two. Signed in pencil,—Zorn. 
_ Very Fine Impressron, on Green paper, in perfect condition. 


ZORN, ANDERS 
482. Wet. Etching. 
‘ Asplund, No. 240. Third State of three. Signed in pencil,—Zorn. 
FINE IMpREsSION, on Dutch paper, in perfect condition. 


Kindly read Conditions of Sale in forepart of Catalogue 
ee ee 


ZORN, ANDERS 


483. FRIGHTENED. Etching. : 
Asplund, No. 248. Second State of two. Signed in pencil,—Zorn. 
Fine Impression, on Dutch paper, in perfect condition. 


ZORN, ANDERS 
484. THe Forp. Etching. 
Asplund, No. 249. Second State of two. Signed in pencil,—Zorn. 
Very FINE Impression, on Dutch paper, in perfect condition. 


ZORN, ANDERS 
485. Pitot. Etching. 
Asplund, No. 285. Only State. Signed in pencil—Zorn. VERY 
Fine IMPRESSION, on Dutch paper, in perfect condition. 


ZORN, ANDERS 


486. THE FENCE. Etching. 
Asplund, No. 257. Second State of two. Signed in pencil,—Zorn. 
Fine ImpRESSION, on Dutch paper, in perfect condition. 


ZORN, ANDERS 
487. THREE SISTERS. Etching. 
Asplund, No. 258. Third State of three. Signed in pencil,—Zorn. ° 
Fine Impression, on Dutch paper, in perfect condition. 


ZORN, ANDERS 


488. Evin. Etching. 
Asplund, No. 260. Fiith State of five. Signed in pencil,—Zorn. 
FINE Impression, on Dutch paper, in perfect condition. 


ZORN, ANDERS 
489. My Mopets. Etching. 
Asplund, No. 273. Second State of two. Signed in pencil,—Zorn, 
Fine Impression, on Dutch paper, in perfect condition. 


ZORN, ANDERS 
490. On Hemso IsLanp. Etching. 
Asplund, No. 276. Second State of two. Signed in pencil,—Zorn. 
Fine Impression, on Dutch paper, in perfect condition. 


ZORN, ANDERS 
491. Axper. Etching. 
Asplund, No. 277. Third State of three. Signed in pencil,— 
Very FINE Impression, on Dutch paper, in perfects ndition. 


> 


ZORN, ANDERS P. 


492. THE CABIN. Etching. : 
Asplund, No. 279. Third State of three. Signed in pencil,—Z orn. 
Very Frne Impression, on Dutch paper, in perfect condition. 


® 


Third Session, Thursday Evening, March 27th 


ZORN, ANDERS 


493. Vicki. Etching. 
Asplund, No. 281. Fourth State of four. Signed in pencil,—Zorn. 
Very Fine Impression, on Dutch paper, in perfect condition. 


ZORN, ANDERS 


494. Dau River. Etching. 
Asplund, No. 284. Only State. Signed in pencil,—Zorn. Very 
Fine Impression, on Dutch paper, in perfect condition. 


ZORN, ANDERS 


495. Tue Hair Rippon. Etching. 
Asplund, No. 253. Third State of three. Signed in pencil,—Zorn. 
Fine Impression, on Dutch paper, in perfect condition. 


ZORN, ANDERS 


496. Pitot. Etching. 
Asplund, No. 285. Only State. Signed in pencil,—Zorn. Fine 
IMPRESSION, on Dutch paper, in perfect condition. 


ZORN, ANDERS 


497. Pivot. Etching. 
Asplund, No. 285. Only State. Signed in pencil,—Zorn. Fine 
Impression, on Dutch paper, in perfect condition. 


ZORN, ANDERS 


498. Ors Maria. Etching. 
Asplund, No. 286. Second State of two. Signed in pencil,—Zorn. 
FINE Impression, on Dutch paper, in perfect condition. 


ZORN, ANDERS 


499. BALANCE. Etching. 
Asplund, No. 287. Only State. Signed in pencil—Zorn. Very 
Fine Impresston, on Dutch paper, in perfect condition. 


AMERICAN ART ASSOCIATION, Inc., 
DEPARTMENT OF Books AND PRINTS, 
ARTHUR SWANN, DIRECTOR. 


OTTO BERNET anp HIRAM H. PARKE, 
AUCTIONEERS. 


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INTELLIGENT APPRAISALS 


FOR 


ENTIPED STATES AND STATE TAX 
INSURANCE AND OTHER PURPOSES 


AND 


CATALOGUES OF PRIVATE COLLECTIONS 


APPRAISALS AND CATALOGUES. Together with the increase 
in its exhibition and sales rooms, the American Art Association, Inc., 
will expand its service of furnishing appraisements, under expert direc- 
tion, of art and literary property, jewelry and all personal effects, in the 
settlement of estates, for inheritance tax, insurance and other purposes. 
It is prepared also to supplement this work by making catalogues of the 
contents of homes or of entire estates, such catalogues to be modeled 
after the finely and intelligently produced catalogues of the Association’s 
own Sales. 


The Association will furnish at request the names of many Trust and 
Insurance Companies, Executors, Administrators, Trustees, Attorneys and 
private individuals for whom the Association has made appraisements 
which have not only been entirely satisfactory to them, but have been 
accepted by the United States Revenue Department, State Comptroller 
and others in interest. 


AMERICAN ART ASSOCIATION, Inc. 
AT ITS NEW 
% AMERICAN ART GALLERIES 
MADISON AVENUE, s6ru to s7ra STREET 
ENTRANCE 30 EAST s7ra STREET. NEW YORK 


Telephone: PLAZA 1270 


THE AMERICAN ART ASSOCIATION, Inc. 


DESIGNS ITS CATALOGUES AND DIRECTS 
ALL DETAILS OF ILLUSTRATION 
TEXT AND TYPOGRAPHY 


PRESS OF J. J. LITTLE & IVES CO., NEW YORK 


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| 


ETCFINGS AND DNGRAVINGS 
TH COLTECTION OF 
HERBERT I. ROTHCHILD 
AND OTHER PROPERTIES 
SOLD MARCE 25th,26tn,27th, 1924 


UNDER THE MANAGEMENT OF THB AMERICAN ART ASSOCIATION, INC.NEW 


), JULIAN LE ROY WHITE, JAMES A. GARLAND 


& 550,00 


YORK cri 


LIST OF PRICES GRAND TOTAI ---(3 38, 310,00 
$9 $ 100.00 4656 25.00 96 & 60.00, 12%q 8 %ebUe tye 
2 100.00 46a 5.00 £87 27.50 128 55,00° 172 
3 15.00 47 37.50 £88 7.50 129 BeOOm 17 
4. 15,00 474 5000 “BGs ~ 268,000 140 55.00 174 
5 38.00 48 30.00 89 35.00 131 Sa40 5 1975 
6 10.00 49 35.00. 90 B= 10.00. 196 
7 10.00 50 a op came t * 5,00 133 Tor,Gl +48 
8 45,00 51 205000 92 42,50 134 17350 178 
9 7.50 52 10.00 93 1O<000 1367 12@a0G5 173 
10 15.00 53 12250 94 "2500 136 5.00 180 
im 45.00 54 12350 5 7,50 137 5,00 181 
12 5.00 55 25,00 96 55,00 138 7.50; 162 
13 25,00 56 750, 87 12450) 139 Peo Lee 
14 10.00 57 22.50 98 2200) 140 5,00 184 
15 25.00 58 10,00 99 40900) 14%: 6,00 185 
16 5.00 59 60,00 B00 Tey5a) i242 124505) L6G 
ay 15.00 59a 20.00 200a 65,00) 143 VebO« Lby 
18 TOYOO 69 #3200. 2 40200) 22 7.50 188 
19 5,00 62 BOC? "aoe 10,00 145 72,50. LB? 
20 4.00 62 70,00" YDS  SsSl00. 1a6 35,00 189a 
Ey 2.50 63 60,002) 02 BB ,007 147 12,00 189b 
22 4700.00 64 50.00 -105 5,00 148 5,00) “lee 
ae 800,00 65 60.00 106 5,00 149 80,00) 1D 
24 2050.00 66 Ts,00 207 WROO 150 20,00 192 
85 150,00 67 40,00) GOB 20.00) 36 250.00) ios 
26 950.00 68 120.00 109 %.50 £52 7.50 194 
eY 140,00 69 .100,00 -209a.. 15.00 155 20,00 195 
28 B5e00. “70, | S80v00). REO. » SOc 00inked 12050 196 
A a oda Sg ca S0c00°° LEL  26c50 Loo <OMewu: xeT 
30 10,00 72 75,00 30a %s50 BOS 17.50 19a 
31 BO.00 73 20,00 ‘Lire be0O LS 25.00 198 
32 29.00 96 35,00 ATS 7.50 158 40.00 199 
33 25.00 75 45.00 114 95.00 159 10.00 200 
34 35.00 76 60,00 115 90,00 160 12.50 201 
35 BNO "Vhn 40-00 6 159.00 161 12250 202 
36 20.00 "6b 12956 AT? $90.00 162 20,00 203 
37 Les50 977 3,00 718 27.50 162 5.00 204 
38 5.00 78 10.00 PS 506.060 164 6.00 205 
39 5.00 79 3,00 212 15,00 165 5200 206 
an 32,50 80 7.50 121 15.00 165a 10.00 207 
Al 5.00 81 "250. Ores 40,00 266 70.00 208 
42 12.50 “62 8,06 (452- 32.50 267 80,00 209 
63 7.50 83 85,00 8884 16.00 3446 77,80 <BEO 
bof S6700 ~84 220:06 “225. 89.90 169 60.60 247 
45 13.00 85 35,00 126 5.0. 40 iam” BES 


430.00 
Lissoo 
135.00 
30.00 
ov 50 
tH TOS 
Ps 
yee, 
9,00 
10,00 
$2050 
30, 00 
35200 
la OM 
55.00 
15.00 
65.00 
430, 00 
25,00 
£0, 00 
435, 00 
25400 


- 


213 & 45.00 266 $10.00 320 $15.00 372 § 12.50 424 § 45,00 
214 15.00 267) oot 5.00 373 42.50 425 HOOD 
215 60.00 268) 7.50 322 8.00 374 50.00 426 185.00 
216 35.00 269) 323 8.00 375 #£----- 427 17 yO 
217 eaego. 290} 27.50 324 52.50 376 AHSOO. Aes 45.00 
218 60800. 271) 325 ZO 20Ge (572 30.00 489 320.00 
219 20700, 272) 17.50 326 45,00 378 7.500 400 65.00 
220 Be e00! *2'73) 327 5.00 379 67.50 431 L2¢50 
221 50.00 274) 32.50. 626 10.00 380 55.00 432 32.50 


Ree wee tere 25.00 328a yO aa 32e590 435 100. 00 
225 10.00 276 Lee 00) O29 Peeps G0 102.50 434 350.00 


224 Teo 27 15,00? 3330 20.00 383 beegoU 200° > tee0U 
225 WB Lg a Le he BN Bl eee, 17.50 384 2.05 ¢O0eeABS 25.00 
226 Le bOmr2a7 eS i Sao aA prcrmennO JS ALS wy ©) Ommmmin SIS) 45.00 437 35.00 
eA Lee 50 279 Y2.60- 7333 12.50 386 85.00 438 800.00 
228 5.00 280 19.00 334 12.50 387 250.00 439 1600.00 
229 12,50 -26) 7,50) "S95 T2250) Sag 50.00 440 1300.00 
P30 hy OW eG LE SOG. 1356 POSOO. “See 20.00 441 650,00 
OL 10200205 20.00 337 20.00 S390 2.50 442 500.00 
Con 555.00. 264 Te0O0) “S56 28.00 391 7.50 443 850, 00 


235 Poy asd 8 et 1s 2100.00, “3352 10.00 Sola 17.50 444 600.00 
254 30.00 286 190.00 340 20,00 S92 30.00 445 120.00 
£35 £05.00 2e7 20.00 S341 10.00 ~ B95 20.00 446 325.00 
256 35.00 288 18.00) (342 37.50 390a se ecm ALE 2700.00 
2o7 10.00 289 80,00 345 20200 B94 10.00 448 300. 00 
258 Lpx00.- 290 70,00 344 BOP00. 325 10.00 449 475.00 


239 525.00 291 50.00 345 20.00 396 --- 450 825.00 
240 17250 £92 25.00 346 20.00 396a 37.50 452 275.00 
241 7.50 2953 15.00 347 15-00 397) 452 S50 
242 10,00" 294 17.50 348 42.50 398) 5.00 453 90.00 
243 10.00 295 15,00 349 35.00 399 20.00 454 
244 5.00 296 15.00 350 20,.005 2400 7450. 455 

245 7450. 297 15.00 351 25.00 401 7.50 456 

245a 5.00 298 37,50 352 20.00 402 5.00 457 

246 10.00 299 7.50 353 22.50 403 10.00 457a 

247 7.50 300 5.00 354 30.00 404 15.00 458 

247a 15.00. 301 10.00 355 22,50 405 30.00 459 

248 7.50 302 10.00 356 17.50 406 27.50 460 

249 17.50 303 %.00 357 22.50- AO? S7e50. 45k 

250 5.00 304 6.00 358 10.00 408 1,501 460 

251 17.50 305 55.00 359 12.50 409 15.00 463 

252 15.00 306 50.00 3460 "250° 470 10.00 464 

253 30.00 307 25.00 362 E7250 4k 5.00 465 

254 15.00 308 115.00 5362 16.00 423 17.50 466 

255 37.50 309) 36za "2.50 413 15.00 467 

256 65.00 310) 17.50 36% 15,00 414 20.00 46%a 

257 cy ieee Ome ie 3638 eh . 435 17.50 466 

258 15,00 Sle 5.00 364 7.50 436 22.50 469 

259 27,50. Svs 7.50 5E5 FeO ae 12250" #70 

260 55.00 314 90.00 366) 418 LeU eee ga 

261 7.50 315 20.00 367) 17.50.4395 20.00 «472 

262 72.30 316 32.50 368) 220. 250500, ae 


263 20400) OL7 120,00. 369 15.00: 421 60.00 474 
264 90,00 318 Soe UO ore 25.00 422 bisaw, (ETS 
66 200,00 319 20.00 dtd 55.00 423 20.00 476 


Be 


477 $ 45,00 


478 
479 
480 
481 


110.00 
50.00 
30, 00 
40,00 


&82 
483 
4€4 
485 
486 


ie Les 8 
3 .0C 
30.00 
2500 
30.00 


487 
488 
489 
4 OQ 
49), 


oe 


50,00 
60. OO 
30.00 
30, 00 
35.00 


192 % 30.00 
493 “115,00 
494 70.00 
406) | Be 050 
496 37.50 


497 & 32.50 
498 “100,00 
£99" 25000 
500 $0.00 


—— 


‘eS ae 
aa 


OF SAN FRANCISCO) 


RARE FRENCH AND ENGLISH — 


COLOUR PRIN T S 


FROM THE COLLECTIONS OF THE LATE. aes 


JULIAN LE ROY WHITE, or BALTIMORE 
AND OF THE LATE. 


JAMES A. GARLAND, oF wostoN 


MARCH 25rx, 26TH anp 27TH, 1924 


AMERICAN ART ASSOCIAT ION, ie 
MADISON AVENUE, 56TH TO 57TH STREE1 


ENTRANCE 30 EAST 57TH STREET, NEW YORK 


1a ee ole ri 
3 Mae ori gt 


